School of Music

Music Building Room 101
Telephone: 512.245.2651 Fax: 512.245.8181
Email: music@txstate.edu
www.music.txstate.edu

Mission Statement

The Texas State University School of Music prepares a diverse student population within a positive and inclusive environment for personal success and evolving careers in music, promotes creative and scholarly activity, and nurtures supportive communities.

We aspire to the highest levels of musical and academic achievement, depth and breadth of artistic experiences, and student success. We nurture curiosity, creativity, passion, and collegiality, while supporting and respecting each other. Our music community strives for excellence and innovation in music making, teaching, and research.

In pursuing excellence, the School of Music strives to be an innovative community that embraces the wide variety of musical and cultural backgrounds and expressions of students, faculty, and curriculum. We seek to become a destination school, while maintaining our student-centered focus.

Faculty

The music faculty of over ninety individuals includes internationally active performers, conductors, composers, scholars, and teachers. Collectively, they have presented concerts and clinics in more than thirty countries on virtually every continent. Individual faculty members have been recognized through such prestigious prizes as Grammy Awards and the Atlanta Steinway Society Competition, as well as honors and publications in prestigious journals and encyclopedias, such as the Grove Music OnlineMusik in Geschichte und GegenwartGrove Dictionary of American MusicTheoriaMusikTheorieMusicological AnnualNew SoundMusic in SocietyComputer Music JournalFacta UniversitatisJournal of Research in Music EducationPhilosophy of Music Education Review, and Journal of Musicological Research. Their artistry can be heard in various movie soundtracks and hundreds of commercial recordings

Courses Offered

Courses are offered in performance (individual, chamber, and ensemble), music education, history, literature, theory, composition, music technology, jazz, Latin, and sound recording.

All university students, both music majors and non-music majors, are encouraged to participate in performing ensembles. However, due to the limited availability of private applied music instruction and certain other music classes, the School of Music may use any or all of the following criteria for determining students’ access to these courses:

  1. student’s overall musical talent, musical achievement, and performance/teaching potential as determined by audition
  2. studio/class space availability
  3. academic standing as represented by GPA
  4. other appropriate indicators

School Policies

Those planning careers in music must demonstrate a high level of musical skill, music reading ability, and understanding. To help evaluate musical skills for counseling and placement purposes, the School of Music requires all music majors to pass several evaluations and academic requirements.

Credit by examination is available for Music Theory I - IV and Piano Techniques I - IV only before entering the course sequence at Texas State. Students testing out of one or more of the courses above or the entire proficiency exam(s) must remit $10 to the University's Testing Center (set fee whether receiving credit for one or more courses) before a CR grade will be processed by the Registrar's Office for the course(s). See an academic advisor and the School of Music website for details.

A student who leaves music major status in good standing can be readmitted as a Music major without re-auditioning if returning within twelve (12) months. A music student who fails to complete or pass applied lessons (note: failing grades are F and U) or has not been a Music major at Texas State for more than twelve (12) months (i.e. not enrolling or two W grades in a row) will automatically be moved to a pre-music status by their academic advisor and must re-apply and re-audition to be accepted back as a music major.

Upper-Level Competency Review

Upon completion of four long semesters as a music major, the student’s total record of academic and performance work is reviewed by the music faculty in their area to determine if they are prepared to continue in upper-level music study. Transfer students with four or more semesters of music study complete the exam at the end of the first long semester of study at Texas State.

The Upper-Level Competency Review (ULCR) is offered at the end of each long semester, and the student must pass before enrolling in 3000-level courses in the degree area. Specific information and requirements are available in the School of Music Student Handbook and on the School of Music's website.

Recital Attendance Requirements

Each semester, numerous recitals and concerts are presented by students, faculty, and visiting artists. All undergraduate music majors, with the exception of Bachelor of Science students, are required to attend a significant number of these events each semester. In addition, applied music instructors may require attendance at all recitals in the student's individual performance area.    

Ensemble Requirements

All music majors must participate in the appropriate major ensemble for their instrument each semester until all major ensemble requirements for the degree have been completed. No more than one major and one secondary ensemble will be counted toward the student’s degree plan per semester. While not required in the degree plan, continued participation in major ensembles after degree requirements are completed is encouraged.

Senior Recital

A senior recital is required for all students enrolled in a Bachelor of Music degree program. Students seeking teacher certification must present the recital no later than the semester before student teaching. Specific requirements for the senior recital are described in the School of Music Student Handbook and on the School of Music website.

Grade Requirements

Students majoring or minoring in the School of Music must achieve a grade of “C” or higher (including a CR in Departmental Recital) on all required music (MU, MUSE and MUSP) courses.

Student Teaching Requirements

Before being allowed to enroll for student teaching, music students must have:

  1. completed all major coursework for the degree with a “C” or higher;
  2. presented a senior recital achieving a grade of "C" or higher;
  3. passed the Upper-Level Competency Review;
  4. passed the piano and theory proficiency examinations; and
  5. fulfilled the requirements for teacher certification as determined by the College of Education.

Music Fees/Costs Not Included in Tuition/Fees

This is a partial listing.

  • Instrument rental fee – $30 per semester (inc. all percussionists and students participating in percussion ensembles, all students enrolled in Applied Keyboard classes)
  • Athletic Band accessories approximately $50-$100 per semester depending on the required number of accessories and cleanings (inc. shoes, gloves, shirt, shorts, Colorguard uniforms, cleanings, etc.). All participants must have the required accessories based on the information outlined in the Marching Band Handbook and syllabi.
  • Choir dresses $63 one-time charge (all women participating in a choral ensemble, with the exception of VocaLibre must purchase a choir dress through the School of Music)
  • Tuxedos up to $100 one-time charge (all men participating in a choral ensemble, with the exception of VocaLibre or a concert instrumental ensemble must rent/purchase a tuxedo; locations provided by ensemble directors)
  • There are additional fees related to the student teaching & certification requirements.  A list of associated fees is listed on the Office of Educator Preparation website.

NOTE: Due to copyright laws, students enrolled in private lessons are responsible for purchasing individual scores of solos/etudes required for performance. In addition, students enrolled in voice lessons or instrumentalists preparing for juries/recital performances are responsible for the cost of providing their own collaborative pianist for lessons, rehearsals, and recitals.  A list of collaborative pianists approved by the School of Music is available at the beginning of each long semester.

Facilities

As the music program has grown into a large, comprehensive School of Music, so too have the facilities expanded to keep pace with its wide variety of ensembles, programs, and students..

Music Building

The Music Building includes classrooms, faculty studios and rehearsal halls. There are separate rehearsal facilities for bands, orchestra, choirs, jazz, and Latin music ensembles, chamber groups, and opera. The building also contains the 149-seat Music Building Recital Hall, the Schneider Music Library, a black box theater, over thirty practice rooms, an electronic piano laboratory, a multi-station music computer lab, two instrument checkout rooms, faculty offices, and the administrative office suite.

Performing Arts Center

The Performing Arts Center includes an acoustically superb 312-seat recital hall. Equipped with two Steinway D concert grand pianos and a beautiful custom-built Flemish-replica harpsichord, the hall hosts performances by international guest artists, music faculty, and some student ensembles. It is a learning laboratory for student degree recitals. Another venue, the Patti Strickel Harrison Theatre, provides a state-of-the art theater with orchestra pit for TXST Opera Theater productions.

Evans Auditorium

Evans Auditorium is the largest performance hall on campus with a seating capacity of 933. The university's wind bands, orchestra, and University Arts events utilize Evans as a performance site, as do annual events such as the Butch Miles Jazz Festival. The venue also contains two Steinway concert grand pianos.

Fire Station Studios

Fire Station Studios, located near campus, are available for both Texas State and non-Texas State persons to rent for commercial purposes. The building houses the School of Music's sound recording technology program and contains a multipurpose recording facility and television/film sound stage housing four control rooms, three tracking spaces, a large-format fully automated SSL mixing console, CD mastering gear, and numerous professional microphones and outboard devices.

Colorado Building

Colorado Building houses the TXST Gamelan Lipi Awan (a Balinese ensemble) and sixteen additional practice rooms with digital pianos.

Lampasas Hall

Offering music an additional five offices and three teaching studios, Lampasas Hall is the second oldest building on campus and was beautifully renovated in 2012.

Marching Band Field/Storage

The Bobcat Marching Band field includes a standard 100+ yard field, multi-level director's tower, and newly completed equipment storage facility.

Schneider Music Library

The Schneider Music Library, centrally located in the Music Building, provides convenient access to scores, sound recordings, DVDs, music education materials, and music reference sources.

Music Computer Center

The Music Computer Center located in the Music Building features twenty-four high-end Mac workstations with MIDI controllers, a teacher station, a scanner workstation, and two administrator stations.

CATT Office

The CATT Office serves students enrolled in music theory and aural skills classes. Staffed by faculty and graduate students, open hours are posted at the beginning of each semester. Students who need assistance completing homework or studying for tests are welcome to visit.

YouStar Studios

The YouStar Studios, located in the Alkek Library, include a suite of multimedia technologies that enable users to create video and audio content. The YouStar Studios consist of a video recording studio and two audio recording studios.

Admissions Requirements

  1. All students seeking to major in music must be admitted to Texas State University.  For more information on Texas State, visit www.txstate.edu.  Undergraduate students should visit the Office of Undergraduate Admissions at www.admissions.txstate.edu to learn about undergraduate level admission.
  2. Students wanting to enter the music program as a music major (B.A., B.M., B.S.) must submit an online application and audition on their principal instrument or voice the semester before their desired entrance. For audition guidelines and requirements, prospective undergraduate students should visit:  http://www.music.txstate.edu/prospectivestudents/BecomingaMusicMajor.html
  3. Students interested in the Sound Recording Technology major must complete an additional application, submit materials for pre-screening (see www.txstate.edu/music/srt for details), and interview.
  4. All students pursuing teacher certification must apply and be accepted to the Office of Educator Preparation once all course requirements and successful completion of the School of Music's Upper Level Competency Review have been met in order to officially complete the Bachelor of Music major in Music Studies degree program.

NOTE:  Admission to the School of Music is contingent upon admission to Texas State, successful completion of the audition process, and available space in each studio. Moreover, a successful audition does not automatically ensure acceptance to the School of Music. Transfer students' transcripts will be evaluated by an academic advisor prior to an acceptance decision to ensure that acceptance and successful degree plan completion are possible here at Texas State.  Prospective music majors will not be permitted to enroll in applied music and other music major classes until they have been accepted based on their audition and met with an academic advisor. Auditions are held periodically throughout the year for enrollment the following academic year. Those prospective music students unable to audition in person due to geographic distance from campus may submit an audio or video recording representative of their performing abilities that meet the audition guidelines for their instrument or voice. The deadline to submit a recorded audition is March 1 (for Fall admission) or November 1 (for Spring admission). Audition requirements are available on the School of Music website.

Subjects in this school include: MU, MUSE, MUSP


Courses in Music (MU)

MU 1000. Freshman Departmental Recital.

This course introduces students to the expectations and practices of departmental recital attendance within the School of Music. Students regularly observe weekly recitals to develop awareness of performance standards, stylistic diversity, stage etiquette, and professional presentation across musical genres. Through guided observation, students learn to identify fundamental elements of musicianship demonstrated by peers and visiting performers. The course supports first-year music majors by connecting recital attendance to broader applied lesson goals and ensemble participation. Concurrent enrollment in freshman level applied study and the appropriate major ensemble ensures integration of performance experiences with curricular development in the student’s primary area of study. Corequisites: MUSP 1120 or MUSP 1130 or MUSP 1140 or MUSP 1150 or MUSP 1160 or MUSP 1170 or MUSP 1220 or MUSP 1230 or MUSP 1240 or MUSP 1250 or MUSP 1260 or MUSP 1270 or MUSP 1280.

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

MU 1112. Basic Musicianship.

A study of music fundamentals: reading rhythms, pitches in bass and treble clefs, spelling, notating, and identifying key signatures, intervals and chords. Prerequisite: Music major status.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 1115. Aural Skills I.

This course guides students to develop the cognitive perception of music by singing, playing the piano, and listening. Students associate musical sounds with their labels (solfège and letter names) and staff notation. Activities include performing common musical structures such as scales, intervals, chords, harmonic progressions, and rhythms, as well as sight-singing, improvising, and analyzing timbres. This course is designed to be taken before Music Theory I (MU 1315) in order to help students internalize music fundamentals before introducing more complex theoretical concepts.

1 Credit Hour. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1116

MU 1116. Aural Skills II.

This course builds on foundational music cognition through expanded work in sight-singing, music dictation, keyboard fluency, and improvisation in diatonic and introductory chromatic contexts. Students develop increased accuracy in melodic, harmonic, and rhythmic perception while strengthening connections between sound, notation, and performance. Singing activities include performing musical structures such as scales, intervals, chords, harmonic progressions, and rhythms; sight-singing; and improvising in a diatonic context. Ear-training activities include aurally analyzing, evaluating, and dictating musical structures dealing with pitch, rhythm, and harmony in a diatonic context. Coursework is designed to be taken concurrently with Music Theory I (MU 1315). Prerequisite: MU 1115 with a grade of “C” or better.

1 Credit Hour. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1117

MU 1125. Life-Skills for Musicians.

This course examines essential life skills that support students’ transition from student to working professional. Through practical activities and discussion, students strengthen study habits, professional communication, and foundational pedagogy. The course also introduces key adult responsibilities, including personal budgeting and financial planning, navigating healthcare systems, evaluating job benefits, and establishing routines for independent living.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 1150. Introduction to Music Technology.

This course introduces students to current computer applications in music including MIDI, sequencing, notation, digital audio, internet communication, and computer literacy. Students apply new concepts in practical applications through various assignments and create original projects. Topics may include creative strategies, audio recording, audio editing, audio mixing, audio mastering, graphic design, webpage design and implementation, and professional skills utilizing various hardware and software resources. Through hands-on projects and applied assignments, students develop fluency in digital tools relevant to contemporary music education and practice.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 1180. Recording Practicum I.

This course introduces fundamental practices in audio engineering across live sound and studio environments. Students analyze system setup, signal flow, microphone types, placement techniques, and introductory approaches to mixing. Emphasis is placed on understanding equipment functions, monitoring procedures, and technical decision‑making in common production scenarios. Through structured exercises, students apply foundational concepts used in professional audio settings without assuming prior technical experience. Enrollment is limited to students with full major status in Sound Recording Technology.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 1182. Recording Practicum II.

This course examines fundamental practices in live sound and studio recording, emphasizing system setup, signal flow, microphone techniques, and foundational mixing approaches. Students study the functional roles of audio engineering in both performance and production contexts, with attention to professional procedures used in contemporary audio environments. Through guided application and critical evaluation of engineering decisions, students gain practical experience that supports progression to advanced coursework in sound recording technologies. Prerequisite: MU 1180 with a grade of "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 1312. Essential Musicianship.

This course introduces the foundational concepts of music through an integrated approach that combines notation, theory, listening, performance, and creative exploration. Students develop fluency in music notation, rhythm and meter, keys, scales and modes, triads, and seventh chords. They apply these skills through singing, keyboard or guitar practice, guided listening, and short creative projects. Emphasis is placed on connecting theoretical concepts to active music‑making, including improvisation and composition. The course also introduces basic principles of acoustics and essential digital audio tools to support creative work. Through these activities, students build core musicianship skills that prepare them for performance, composition, and further study in music.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1301

MU 1315. Music Theory I.

This course introduces foundational concepts of music theory through the study of musical notation, rhythm, scales, intervals, keys, chords, species counterpoint, embellishing tones, and diatonic harmony. Students develop skills in reading and writing music, identifying and constructing melodic and harmonic elements, and understanding fundamental principles of voice leading. The course integrates written work, score analysis, and listening to support musical literacy and analytical thinking. Music Theory I provides the theoretical foundation necessary for performance, musicianship training, composition, conducting, and further study in music theory and analysis. Prerequisite: MU 1115 with a grade of "C" or better.

3 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter
TCCN: MUSI 1311

MU 1316. Music Theory II.

This course continues the undergraduate music theory sequence with expanded study of tonal harmony, formal structures, and chromatic processes. Students examine phrase structures, including periods, sentences, and phrase groups, alongside detailed study of embellishing tones and their compositional functions. The course introduces diatonic and chromatic seventh chords, auxiliary seventh chords, and tonicization through secondary chords. Through analysis, music writing, composition, and harmonization, students develop a deeper understanding of harmonic function, voice leading, and formal design in tonal music. Prerequisite: MU 1315 with a grade of "C" or higher.

3 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter
TCCN: MUSI 1312

MU 2000. Sophomore Departmental Recital.

This course introduces students to structured observation of weekly departmental recitals to support the development of performance awareness, stylistic understanding, and reflective listening skills. Students examine a range of repertoire performed by peers and guest artists, focusing on musicianship, interpretive choices, and professional presentation practices. The course emphasizes documentation of observed performances and the development of skills that contribute to students’ ongoing applied lesson study. Concurrent enrollment in sophomore level applied instruction and a major ensemble is required, as recital observations complement applied study and ensemble participation. Identify stylistic and technical features demonstrated in weekly recital performances. Prerequisite: MU 1000 with a grade of "CR" or better (2 times).

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

MU 2104. Writing About Music.

This course strengthens students’ writing, research, and communication skills as applied to music. Students study professional examples of music writing to understand how writers describe sound, support claims, and engage audiences. Assignments guide students in developing competency in citation practices, critical listening, and analytical writing. Through workshop based activities, students learn strategies for drafting, revising, and editing music related prose across multiple genres, including reviews, program notes, and short essays. The course provides structured practice in developing coherent arguments and presenting musical ideas with clarity and precision. Full major status in Performance is required.

1 Credit Hour. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Writing Intensive
Grade Mode: Standard Letter

MU 2115. Aural Skills III.

This course guides students to continue developing music cognition in diatonic and chromatic contexts through sight-singing, dictation, keyboard work, and improvisation. Students refine melodic, harmonic, and rhythmic perception while engaging with more complex tonal structures and expanded technical demands. Emphasis is placed on integrating analytical understanding with real-time performance and aural recognition across varied musical textures and styles. Through increasingly sophisticated listening and performance activities, students strengthen their ability to interpret, notate, and internalize chromatic musical materials in preparation for upper-level theoretical and performance studies. Coursework is designed to be taken concurrently with Music Theory II (MU 1316). Prerequisite: MU 1116 with a grade of "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 2116

MU 2116. Aural Skills IV.

This course guides students to continue developing music cognition in chromatic as well as modern tonal and atonal contexts through sight-singing, dictation, keyboard work, and improvisation. Students engage with tonal, modal, and atonal materials, including synthetic scales and asymmetric meters, while refining their ability to perceive and perform complex musical structures. Emphasis is placed on integrating analytical understanding with real-time performance and aural perception across various musical styles. Through listening, transcription, and improvisation activities, students develop the flexibility and fluency necessary for engaging with contemporary repertoire. Coursework is designed to be taken concurrently with Music Theory III (MU 2315). Prerequisite: MU 2115 with a grade of a “C” or better.

1 Credit Hour. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 2117

MU 2123. Foundations of Music Education.

This course introduces the major pedagogical, methodological, and philosophical foundations of music education. Students examine frame works for teaching, models of instruction, teaching approaches, review theories of music learning, and analyze characteristics of effective instruction. The course provides structured opportunities to apply introductory teaching techniques, observe peer teaching activities, and explore how developmental considerations influence instructional decisions. Emphasis is placed on studying music education practices as objects of inquiry and evaluating how theories inform classroom application.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 2153. Problems in Music.

This course provides students the opportunity to pursue independent study on specific music topics not addressed in existing coursework. Under faculty supervision, students identify an area of musical inquiry, develop a study plan, and engage in directed research, analysis, or creative exploration. The structure and focus of the work vary depending on the student’s selected topic and approved proposal. Curriculum supports individualized learning pathways, allowing students to deepen knowledge in areas aligned with their academic or professional interests. Enrollment requires approval from the Director of the School of Music. May be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 2180. Recording Practicum III.

This course examines studio‑based audio engineering practices while introducing selected applications in live sound. Students diagnose performance issues related to studio sound system configurations, explore signal flow choices in achieving quality audio recordings, apply microphone placement techniques, digital audio workstation operations, and the use of outboard processing equipment. Instruction emphasizes analytical and technical decision‑making relevant to professional audio production environments. Through guided practice, students apply recording concepts in real‑time studio sessions to build proficiency aligned with industry‑recognized entry‑level competencies. Full major status in SRT is required. Prerequisites: MU 1182 with a grade of "C" or better. Corequisite: MU 3381 with a grade of "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 2182. Recording Practicum IV.

This course examines studio‑based audio engineering practices with attention to key concepts in signal flow choices to determine their impact on recording and mixing quality, recording console operation, and the application of microphone placement techniques and mixing practices. Students engage in skill‑building exercises that develop competence that meet established professional standards, including basic exposure to live sound applications. Emphasis is placed on understanding technical processes, analyzing studio sound system configurations to diagnose and solve performance‑related issues, and applying foundational methods used in professional audio production environments. Full major status in SRT is required. Prerequisite: MU 2180 with a grade of "C" or better. Corequisite: MU 3382 with a grade of a "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 2215. Contemporary Musicianship I.

This course introduces the study of contemporary rock and pop musical styles that studio musicians and engineers may encounter in the studio and in live performances. Students aurally analyze musical parameters—harmony, melody, tempo, rhythm, meter, form, and instrumentation—in selected rock and pop musical repertoire, learning and applying correct terminology to describe the music. Students transcribe rock and pop music utilizing standard notation as well as lead sheet symbols and the Nashville number system, creating performable charts. Students apply analytical information in creative projects: performance, model composition, and studio production. Full major status in SRT is required. Prerequisite: MU 1116 and MU 1316 both with grades of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 2216. Contemporary Musicianship II.

This course continues the study of contemporary rock and pop musical styles that studio musicians and engineers may encounter in the studio and in live performances. Students aurally analyze musical parameters—harmony, melody, tempo, rhythm, meter, form, and instrumentation—in selected rock and pop musical repertoire, learning and applying correct terminology to describe the music. Students transcribe rock and pop music utilizing standard notation as well as lead sheet symbols and the Nashville number system, creating performable charts. Students apply analytical information in creative projects: performance, model composition, and studio production. Full major status in SRT is required. Prerequisite: MU 2215 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 2241. Fundamentals of Diction in Singing I.

This course provides an in-depth study of lyric diction for singing in English and Italian. Through integrated lecture and laboratory sessions, students apply the International Phonetic Alphabet (IPA) to learn pronunciation, articulation, and expressive clarity. The course addresses the accurate production of consonants and vowels, as well as the diction rules specific to each language. Students demonstrate their proficiency through written, spoken, and sung assignments that strengthen command of phonetics and diction practices. This course provides essential diction skills for undergraduate voice majors and must be completed prior to MUSP 2242, which builds upon foundational IPA principles and focuses on German and French diction.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 2242. Fundamentals of Diction in Singing II.

This course is an in-depth study of lyric diction for singing in German and French. Through integrated lecture and laboratory sessions, students apply the International Phonetic Alphabet (IPA) to develop accurate pronunciation, articulation, and expressive clarity in both spoken and sung contexts. The course addresses the precise production of consonants and vowels, as well as diction rules specific to each language. Students demonstrate proficiency through written, spoken, and sung assignments that strengthen their command of phonetics and diction practices. Completion of MUSP 2241 (English and Italian diction) is required prior to enrollment to ensure foundational IPA skills and establish a structured progression toward advanced repertoire study and performance. Prerequisite: MU 2241 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 2253. Problems in Music.

This course provides students the opportunity to pursue independent study on specific music topics not addressed in existing coursework. Under faculty supervision, students identify an area of musical inquiry, develop a study plan, and engage in directed research, analysis, or creative exploration. The structure and focus of the work vary depending on the student’s selected topic and approved proposal. Coursework supports individualized learning pathways, allowing students to deepen knowledge in areas aligned with their academic or professional interests. Enrollment requires approval from the Director of the School of Music. May be repeated for credit.

2 Credit Hours. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 2303. Survey of Music Literature.

This course introduces undergraduate music majors to Western art music from the Middle Ages into the twenty-first century. The course scope includes but is not limited to a survey of major genres such as opera, symphony, and string quartet; influential ideas about style and aesthetics; performance practices; conventional terminology for historical periods such as Baroque, Classical, Romantic; and various modernist trends such as impressionism, serialism, and minimalism. Through reading and listening to a variety of selections, students learn to define elements of music, distinguish among styles and genres, and generate analysis of various musical works across the centuries.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter
TCCN: MUSI 1307

MU 2310. Guitar Class I.

This course introduces fundamental guitar skills for students with little or no prior experience. Students learn standard tuning, basic hand positions, foundational chord shapes, accompaniment patterns, introductory strumming techniques, and essential music reading concepts relevant to guitar performance. Emphasis is placed on developing practical proficiency, coordinated left- and right-hand technique, and the ability to apply skills in individual practice and ensemble settings. The course is designed for non-music majors but is open to any student seeking structured, sequential instruction in beginning guitar.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 2313. Introduction to Fine Arts.

This course is an introductory survey course that examines the creation and interpretation of visual and performing arts across historical periods. The course surveys major art forms—including music, visual art, architecture, dance, and theater—within a chronological framework from prehistory to the present, with emphasis on Western traditions. Students analyze representative works that illustrate artistic trends and cultural contexts of their time. Course activities may include visits to art museums and attendance at live performances to support analysis of artistic forms and practices.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Creative Arts Core 050
Grade Mode: Standard Letter
TCCN: HUMA 1315

MU 2315. Music Theory III.

This course advances the undergraduate music theory sequence through an in-depth study of chromatic harmony, modulation, and formal structures. Students analyze chromaticism in tonal music by studying modal mixture, modulation to closely and distantly related keys, the Neapolitan chord, augmented sixth chords, and extended chords. Through model composition, students apply their understanding of chromaticism. Students also apply their knowledge of chromaticism and modulations to explore larger formal structures including binary, ternary, rondo, sonata, and related compound forms. Through analysis and model composition, students develop advanced harmonic fluency and formal awareness. Prerequisite: MU 1316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 2311

MU 2316. Music Theory IV.

This course extends the undergraduate music theory sequence into a focused study of music composed during the twentieth- and twenty-first centuries. This repertoire includes non-functional tonality as well as post-tonal music composed without a tonal center. Students examine compositional approaches associated with post-tonal music and apply analytical tools to explore this repertoire. Topics include scalar collections (e.g., diatonic, pentatonic, octatonic, hexatonic, and whole-tone), triadic post-tonality, pitch-class sets, serialism, minimalism, spectralism, techniques of rhythm and meter, and form. Through analysis, model composition, and listening, students develop theoretical frameworks for understanding expanded tonal and post-tonal musical repertoires. Prerequisite: MU 2315 with a grade of "C" or better.

3 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter
TCCN: MUSI 2312

MU 2353. Problems in Music.

This course provides students the opportunity to pursue independent study on specific music topics not addressed in existing coursework. Under faculty supervision, students identify an area of musical inquiry, develop a study plan, and engage in directed research, analysis, or creative exploration. The structure and focus of the work vary depending on the student’s selected topic and approved proposal. The curriculum supports individualized learning pathways, allowing students to deepen knowledge in areas aligned with their academic or professional interests. Enrollment requires approval from the Director of the School of Music. May be repeated for credit.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 3000. Junior Departmental Recital.

This course requires regular attendance at departmental recitals, providing students with structured opportunities to study performance practices across various applied areas. Students engage in observation, reflection, and analytical listening to strengthen their understanding of musicianship, technique, and presentation skills. The course supports the junior-level stage of applied study and complements the student’s ongoing lessons and major ensemble participation. Emphasis is placed on connecting observed performances with students’ developing artistic goals and professional expectations within the discipline. Prerequisite: MU 2000 with a grade of a "CR" or better (2 times).

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

MU 3050. Junior Recital.

This course guides students through the preparation and public performance of a Junior Recital for which students demonstrate intermediate level technical, musical, and artistic development appropriate to music performance majors, as well students earning the minor in Composition. Students work with faculty to select repertoire, refine interpretive choices, apply practice strategies, and demonstrate recital-ready performance or composition skills. The course emphasizes effective planning, rehearsal organization, and application of studio instruction toward a cohesive recital program. Prerequisite: Any MUSP 3000 level course with a grade of "C" or better. Corequisite: Any MUSP 3000 level course with a grade of "C" or better.

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 3140. Instrumental Performance Literature.

This course will survey literature for wind bands/orchestras encompassing various periods and styles, focusing on the evolution and development of band/orchestra instrumentation and its repertoire from a historical narrative. Including music for beginning bands/orchestras to compositions for collegiate and professional ensembles, the curriculum will provide the students general information of high-quality music and explore unique challenges they may encounter when teaching. Activities include listening, score study, identifying criteria for the selection of repertoire, programming, and preparation. Prerequisite: MU 2123 with a grade of "D" or better.

1 Credit Hour. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 3142. Fundamentals of Diction in Singing II.

This course, the second of a two-semester Diction sequence, is designed to acquaint the student singer with the International Phonetic Alphabet (IPA), correct pronunciation of French and English consonants and vowels, and the diction rules of these languages. This course does not take the place of a language requirement. Prerequisite: MU 3141 with a grade of "C" or better. Corequisite: MUSP 1120 or MUSP 1220 or MUSP 2120 or MUSP 2220 or MUSP 3120 or MUSP 3220 or MUSP 4220.

1 Credit Hour. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3155. Mariachi Rehearsal Techniques & Literature.

This course equips future music educators with the skills to teach and lead school-based mariachi programs. Students explore pedagogical strategies, rehearsal techniques, and assessment methods while gaining hands-on experience through simulated and authentic teaching opportunities. Topics include curriculum development, rehearsal strategies, repertoire selection, classroom management, instrumental and vocal technique, music literacy, assessment, and community engagement specific to the school-based mariachi program. Students apply educational psychology concepts to address diverse learning needs and foster musical growth. The course culminates in developing and implementing lesson plans that create positive, productive learning environments for the mariachi classroom.  Prerequisite: MU 2115 and MU 2315 both with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3180. Recording Practicum V.

This course guides students in developing the portfolio and capstone proposal required for completion of the Sound Recording Technology program. Students analyze departmental expectations, evaluate examples of professional portfolios, and study current industry approaches to presenting audio work. Emphasis is placed on technical clarity, documentation practices, and effective organization of materials for academic and professional review. Students also examine models of “demo reels” to understand prevailing formats and stylistic conventions. Instruction focuses on preparing students to articulate their creative and technical goals while assembling materials that demonstrate their skills. Full major status in SRT is required. Prerequisites: MU 2182 with a grade of a "C" or better. Corequisite: MU 3383 with a grade of a "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3182. Recording Practicum VI.

This course examines audio engineering practices within film and video post‑production environments. Students engage in technical study of ADR, Foley, sound design, music integration, and multichannel mixing workflows while developing proficiency in industry‑standard formats and deliverable specifications. Through supervised practicum experiences, the course emphasizes applied problem‑solving and professional production methods using digital audio workstations integrated with picture. The course supports advanced preparation for work in audio post‑production and related media fields. Full major status in SRT is required. Prerequisite: MU 3180 with a grade of "C" or better. Corequisite: MU 3384 with a grade of "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3207. Instrumental Conducting I.

This course introduces students to the technical and musical foundations of instrumental conducting. Students develop facility with beat patterns, baton technique, gesture clarity, and non-verbal communication. Additional emphasis is placed on score study, musical terminology, transposition, and rehearsal communication skills appropriate for instrumental ensembles. The class functions as a laboratory ensemble in which each student conducts regularly, receives feedback, and refines their conducting techniques through guided practice. Coursework supports the development of the necessary skills for advanced conducting study.

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3208. Choral Conducting I.

This course introduces students to the technical and musical foundations of choral conducting. Students develop facility with beat patterns, baton technique, gesture clarity, and non-verbal communication. Additional emphasis is placed on score reading, analysis, study, musical terminology study, transpositions for instruments, and rehearsal communication skills appropriate for choral ensembles. Coursework functions as a laboratory ensemble in which each student conducts regularly, receives feedback, and refines their conducting techniques through guided practice. Curriculum supports the development of the necessary skills for advanced conducting study. Prerequisite: MU 2315 and MUSP 1138 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3217. Instrumental Conducting II.

This course provides structured study and applied practice in instrumental conducting. Students engage with baton technique, expressive gesture, rehearsal processes, and score analysis to build practical conducting fluency. The curriculum includes opportunities to examine interpretive considerations, increase perception with error detection, identify ensemble balance concerns, and address common conducting challenges encountered in varied literature. Instruction emphasizes the study of conducting as a technical and analytical discipline and encourages students to form independent evaluative perspectives as they develop their own conducting approaches. Prerequisite: MU 3207 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Time Conflicts Permitted
Grade Mode: Standard Letter

MU 3227. Choral Conducting II.

This course expands fundamental conducting skills and enhances rehearsal skills required for engagement with the broad range of choral ensembles. The curriculum includes understanding of appropriate performance practice, increase perception with error detection, left hand independence during conducting for heightened expression, development of choral ensemble balance and blend, rehearsal techniques for artistic development, application of keyboard skills in rehearsal, and use of appropriate vocal pedagogy in choral rehearsal for development of singing technique. Instruction emphasizes the study of conducting as a technical and analytical discipline and encourages students to form independent evaluative perspectives as they develop their conducting approaches. Prerequisite: MU 3208 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3233. Jazz Theory and Improvisation I.

This course provides a beginning study of melodic, harmonic, and rhythmic structures employed by jazz improvisers and composers from early jazz to the present. Students examine stylistic developments across major jazz traditions, including swing, bebop, and cool jazz. Emphasis is placed on analytical understanding of improvisational language, harmonic substitution, motivic development, rhythmic phrasing, and aural understanding of chord changes. Through transcription, analysis, performance, and creative application, students refine their improvisational fluency and stylistic awareness while situating their work within historical and aesthetic frameworks. Prerequisites: MU 1315 with a grade of "C" or better.

2 Credit Hours. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

MU 3234. Jazz Theory and Improvisation II.

This course continues the study of materials introduced in MU 3233 and expands students’ technical and theoretical fluency in jazz improvisation. Students examine scales, modes, pentatonic materials, and modal approaches used in a broad range of jazz styles. Instruction emphasizes analytical listening, pattern application, and the development of individualized improvisational vocabulary through guided practice and performance based study. Class activities include transcription, harmonic analysis, scale pattern integration, and structured improvisation exercises designed to strengthen aural recognition and theoretical accuracy. Prerequisites: MU 3233 and MUSE 3127 all with a grade of "C" or better or permission of instructor.

2 Credit Hours. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

MU 3241. A Survey of Instrumental Performance Literature.

This course is an overview of repertoire for wind bands/orchestras from all musical periods/styles, including music for beginning bands/orchestras to works for collegiate/professional ensembles. Activities include: listening, score study, instrument transpositions, programming, contest preparation and student-led wind band/orchestra reading sessions. Upper-level status is required. Prerequisite: ART 2313, DAN 2313, MU 2313, or TH 2313; with a grade of "C" or better.

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3242. Survey of Choral Performance Literature.

This course surveys choral literature across all historical periods and styles, emphasizing pedagogical applications for K–12 education. Students explore the historical context of choral works while developing systematic criteria for selecting repertoire appropriate to varied ensemble types and skill levels. Special attention is given to working with adolescent voices and their unique developmental needs. Through analysis of diverse choral literature, students gain competencies in repertoire selection, program design, and creating effective learning experiences. The course culminates in developing practical skills for structuring lesson plans that integrate appropriate choral literature across educational settings. Prerequisites: MUSP 1138 and MU 3208 and MU 3254 all with a grade of "C” or better. Corequisite: MU 3227 with a grade of a "C" or better.

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3253. Band/Orchestra Methods.

This course introduces fundamental principles of instrumental ensemble instruction and provides opportunities to apply these principles through teaching and rehearsal experiences. Students explore pedagogical strategies, assessment methods, and rehearsal techniques for band and orchestra, while gaining practical experience rehearsing ensembles and presenting teaching demonstrations. Course content includes curriculum design, assessment, psychoacoustic principles, and administrative procedures for secondary school music programs. Students develop competencies in planning instruction, evaluating student achievement, and applying a variety of practices in assorted educational settings. Prerequisites: [MU 2316] and [MUSP 3145 or MUSP 3147 or MUSP 3241 or MUSP 3247 or MUSP 3155 or MUSP 3157 or MUSP 3251 or MUSP 3257 or MUSP 3261 or MUSP 3262 or MUSP 3263 or MUSP 3264 or MUSP 3266] both with a grade of "C" or better.

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3254. Choral Methods.

This course introduces fundamental principles of effective choral ensemble instruction for secondary education. Students explore pedagogical strategies, rehearsal techniques, and assessment methods while gaining hands-on experience through simulated and authentic teaching opportunities. Emphasis is placed on developing efficient rehearsal procedures, vocal techniques, teaching music literacy, and classroom management strategies specific to choral settings. Students apply educational psychology concepts to address diverse learning needs and foster musical growth. The course culminates in developing and implementing lesson plans that create positive, productive learning environments for choral singers. Prerequisite: MUSP 1138 and MU 2315 with grades of "C" or better.

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3263. Marching Band Techniques.

This course examines contemporary practices in marching band design and instruction with an emphasis on preparing students for secondary-level band directing. Topics include show planning and design, music selection, movement and visual concepts, rehearsal pedagogy, organization and administration, and the use of technology in charting and instruction. Students engage with current trends through analysis of marching band and drum corps performances, guest lectures, and hands-on design projects. Practical experience with computer-assisted drill design software supports the development of effective instructional and organizational strategies for successful marching band programs.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3269. Elementary General Music Methods II.

This course introduces instructional models, materials, and techniques used in elementary general music settings. Students study teaching strategies, curriculum design, assessment approaches, classroom technologies, and practices that support diverse learners. The course examines recorder, fretted, and Orff instruments as tools for lesson design and explores how general music programs organize learning experiences. Students participate in observations that connect course concepts with classroom settings. Emphasis is placed on analyzing pedagogical approaches, evaluating evidence‑supported methods, and understanding how elementary music curricula are constructed. Students also engage in teaching demonstrations to apply instructional strategies in structured settings. Prerequisite: MU 3340 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3308. History of Rock Music.

This course examines the historical development of rock music from its mid twentieth century origins through its early diversification in the subsequent decades. Students explore major stylistic trends, influential performers, and the musical, technological, and cultural factors that shaped the genre’s growth. The course introduces analytical listening skills, basic musical concepts relevant to rock traditions, and the study of production and performance practices associated with key periods of development. Emphasis is placed on understanding rock music as a musical and historical phenomenon while engaging with representative recordings, primary documents, and scholarly interpretations.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3310. Guitar Class II.

This course provides students with structured instruction in intermediate guitar techniques, including accompaniment, music reading, and solo performance skills. Emphasis is placed on developing technical fluency, stylistic awareness, and practical musicianship applicable to a range of musical contexts. Students receive guided practice, demonstrations, and opportunities to apply concepts through individual and group performance activities. Designed for non music majors as well as students seeking additional applied experience, the course approaches guitar study as a technical and artistic discipline, supporting skill development without assuming prior stylistic specialization. Prerequisite: MU 2310 with a grade of "C" or better.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3315. History and Analysis of Music from Antiquity through the Seventeenth Century.

This course examines music and music practices from antiquity through the seventeenth century. The course introduces various approaches to music study, including history, theory, aesthetics, performance practice, and conceptual frameworks specific to both sacred and secular traditions, domestic music, and genres associated with popular song, dance, and drama. Using established methods from musicology and music theory, students analyze music and music practices in their historical contexts. The course examines the social complexities of music making and the myriad ways by which musicians and their milieus negotiate meaning and value through sound. Prerequisite: MU 1316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Creative Arts Core 050|Component Area Core 090|Creative Arts CAO 095|Multicultural Content|Writing Intensive
Grade Mode: Standard Letter

MU 3316. History and Analysis of Music in the Eighteenth and Nineteenth Centuries.

This course examines music and music practices from the eighteenth through the nineteenth century. The course introduces various approaches to music study, including history, theory, aesthetics, performance practice, and conceptual frameworks specific to classical traditions, domestic music, and genres associated with popular song, dance, and the theater. Students analyze music and music practices in their historical contexts, using established methods from musicology and music theory. The course examines the social complexities of music making and the myriad ways by which musicians and their milieus negotiate meaning and value through sound. Prerequisite: MU 1316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Creative Arts Core 050|Component Area Core 090|Creative Arts CAO 095|Multicultural Content|Writing Intensive
Grade Mode: Standard Letter

MU 3317. History and Analysis of Music in the Twentieth and Twenty-First Centuries.

This course examines music and music practices from the turn of the twentieth century to the present. The course introduces various approaches to music study, including history, theory, aesthetics, performance practice, and conceptual frameworks specific to popular song, film music, jazz, rock, experimental trends, classical traditions, crossover genres, and influential technologies. Students analyze music and music practices in their historical contexts, using established methods from musicology and music theory. The course examines the social complexities of music making and the myriad ways by which musicians and their milieus negotiate meaning and value through sound. Prerequisite: MU 1316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Creative Arts Core 050|Component Area Core 090|Creative Arts CAO 095|Writing Intensive
Grade Mode: Standard Letter

MU 3318. World Music Cultures.

This course introduces students to musical traditions from around the world, emphasizing how music expresses and shapes cultural, historical, spiritual, and social life. Students develop practical listening skills, learn to identify key musical features, and gain tools for understanding how musicians and communities conceive of their own musical practices. Through guided listening, discussion, and case studies, the course cultivates respect for diverse worldviews and builds a foundation for recognizing the breadth of global musical expression and the contexts that sustain it.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content|Writing Intensive
Grade Mode: Standard Letter

MU 3340. Elementary General Music Methods I.

This course prepares students to teach general music in elementary settings through the study of children’s musical literature, key pedagogical approaches, and practical instructional techniques. Students examine Orff Schulwerk, Kodály, Dalcroze Eurhythmics, and World Music Pedagogy as objects of study, considering their development and applications. Coursework includes experiences with singing, classroom instruments, technology, and strategies for supporting learners with diverse needs. Students analyze how children engage with music across cultures and explore multiple curriculum design frameworks. Through guided inquiry, students evaluate evidence‑supported practices, participate in professional development activities, and apply course concepts through structured teaching demonstrations. Prerequisite: MU 2123 with a grade of "C" or higher.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3355. Mariachi Methods.

This course equips future music educators with the skills to teach and lead school-based mariachi programs. Students explore pedagogical strategies, rehearsal techniques, and assessment methods while gaining hands-on experience through simulated and authentic teaching opportunities. Topics include curriculum development, rehearsal strategies, repertoire selection, classroom management, instrumental and vocal technique, music literacy, assessment, and community engagement specific to the school-based mariachi program. Students apply educational psychology concepts to address diverse learning needs and foster musical growth. The course culminates in developing and implementing lesson plans that create positive, productive learning environments for the mariachi classroom. Prerequisite: MU 2115 and MU 2315 both with grades of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3370. Music for the Elementary Classroom.

This course is an introduction to basic music skills for the elementary classroom teacher. The course includes practical application of instructional techniques necessary for effective integration of music experiences in the elementary classroom curriculum. Research into best teaching practices and the importance of incorporating music into the classroom are examined in this course. The focus of this course is on teaching aspects of using music in the classroom, rather than refining musical skills. Future teachers will come away with usable, practical musical strategies to include in the classroom curriculum.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3372. Music Teaching in Diverse Classroom Contexts.

This course examines research and practices related to teaching music in classrooms that include varied cultural traditions, musical practices, and learner characteristics. Students analyze scholarship in multicultural music education, world music pedagogy, and ethnomusicology, and evaluate how these areas inform instructional design. The course addresses methods for supporting students with diverse learning needs, including approaches to accommodations and modifications within music settings. Through readings, lesson development, applied projects, and teaching demonstrations, students investigate how musical practices function within broader social and cultural contexts and consider their implications for K–12 music instruction.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3375. History of Jazz.

This course examines the historical development of jazz from its early emergence to its contemporary forms. Students study musical structures, stylistic evolution, major innovators, and the cultural contexts in which jazz developed. Through listening, score study, and historical analysis, the course explores how social, musical, and technological conditions shaped jazz across different eras. The course emphasizes critical listening skills and situates jazz within broader musical and historical trends without prescribing viewpoints about its cultural meaning. Students engage with recorded examples and may attend live performances to deepen their understanding of stylistic characteristics and performance practices.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

MU 3380A. Women in Jazz.

This course examines the history of jazz from its origins to the present with emphasis on the contributions of women as performers, composers, bandleaders, and innovators. Students explore major stylistic periods, including early jazz, swing, bebop, cool jazz, hard bop, free jazz, fusion, and contemporary practices, while considering the social and cultural contexts that have shaped women’s participation in jazz. Through listening, reading, and discussion, the course develops critical listening skills and an understanding of jazz as an evolving musical and cultural tradition. (MULT).

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content|Topics
Grade Mode: Standard Letter

MU 3380B. Music and Film.

This course examines the relationship between music and moving image across historical and contemporary film traditions. Students explore the functions of film music, including narrative support, emotional expression, characterization, and the creation of meaning through audiovisual interaction. The course considers stylistic developments in film scoring, particularly within Hollywood and related traditions, as well as broader cultural and aesthetic contexts. Through guided listening, viewing, and analysis, students develop skills in interpreting how musical elements interact with visual media to shape audience perception and cinematic experience.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

MU 3380C. Rock Harmony.

This course examines harmonic practices and stylistic features of rock and related popular music traditions through analysis, listening, and performance-based activities. Students explore chord progressions, modal and tonal systems, formal designs, and characteristic rhythmic and melodic patterns in rock repertoire. The course emphasizes aural recognition of harmonic structures and stylistic elements, as well as comparisons with traditional tonal harmony. Through analytical and applied work, students develop skills in understanding, interpreting, and engaging with the harmonic language of rock music. Prerequisite: MU 1312 with a "C" or better or permission by the instructor.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

MU 3380D. History of Blues.

This course examines the historical development, cultural contexts, and musical characteristics of the blues from its origins to the present. Students explore early forms of the blues in African American communities, the role of recording and performance practices, and the genre’s evolution across regional styles and historical periods. The course also considers the blues’ influence on related musical traditions, including jazz, rhythm and blues, rock, and other popular styles. Through listening, reading, and analysis, students develop an understanding of the blues as both a musical practice and a cultural expression shaped by social, economic, and technological factors. (MULT).

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content|Topics
Grade Mode: Standard Letter

MU 3381. Recording Techniques I.

This course examines the technology used in audio production. Students use terminology associated with recording, modifying, and reproducing audio, as well as exploring sound, acoustics, microphones, amplifiers, speakers, and study the theoretical operation and signal flow using block diagrams to acquire foundational knowledge necessary to excel in the field of audio production. In direct relation to that endeavor, students identify devices commonly used in recording, modifying, and reproducing audio. Full major status in SRT is required. Prerequisite: MU 1182 with a grade of "C" or better. Corequisite: MU 2180 with a grade of a "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3382. Recording Techniques II.

This course examines the technology used in audio production. A continuation of Audio Production Technology I, students use terminology associated with recording, modifying, and reproducing audio, as well as exploring, loudspeakers, digital audio fundamentals, magnetic recording, EQ, and dynamic range processors to acquire foundational knowledge necessary to excel in the field of audio production. In addition, students examine the fundamental properties of analog and digital electronics, sound waves, and psychoacoustics. Full major status in SRT is required. Prerequisite: MU 3381 with a grade of "C" or better. Corequisite: MU 2182 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 3383. Recording Techniques III.

This course examines the role of a music producer primarily from an artistic perspective, including such elements commonly assigned to audio engineers as diagnosing performance issues, evaluating console signal flow choices, assessing feedback from a performer or producer, and using industry standard large format analog and hybrid consoles. Students explore each stage of the recording process (preproduction, production, postproduction) in the accompanying practicum, using common genres, to gain a holistic view of the entire process. Full major status in SRT is required. Prerequisite: MU 3382 with a grade of "C" or better. Corequisite: MU 3180 with a grade of a "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Lab Required
Grade Mode: Standard Letter

MU 3384. Recording Techniques IV.

This course examines the role of a music producer primarily from an artistic perspective, including such elements commonly assigned to audio engineers as diagnosing performance issues, evaluating console signal flow choices, assessing feedback from a performer or producer, and using industry standard large format analog and hybrid consoles. Students explore each stage of the recording process (preproduction, production, postproduction) in the accompanying practicum, using common genres, to gain a holistic view of the entire process. Full major status in SRT is required. Prerequisite: MU 3383 with a grade of "C" or better. Corequisite: MU 3182 with a grade of a "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Lab Required
Grade Mode: Standard Letter

MU 4000. Senior Departmental Recital.

This course provides students with structured opportunities to observe, analyze, and participate in weekly departmental recitals as part of their advanced applied study. Students engage in performance preparation, repertoire development, and critical listening activities that support their culminating senior recital. The course emphasizes professional standards in performance, stage presence, and artistic communication without prescribing stylistic or interpretive positions. Concurrent enrollment in senior level applied lessons and the appropriate major ensemble may be required to ensure adequate preparation for the recital experience. Through guided engagement with departmental performances, students strengthen their technical, interpretive, and reflective capacities as emerging musicians.

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

MU 4050. Senior Recital.

This course guides students through the structured preparation, rehearsal, and presentation of a senior recital demonstrating advanced applied performance skills. Students engage in supervised study, refinement of repertoire, and rehearsal planning while applying discipline specific performance practices. The course emphasizes independent artistic decision making, technical accuracy, and stylistic competence appropriate to the student’s primary instrument or voice. Through faculty coaching and individual work, students develop a coherent recital program, manage logistical planning, and present a public performance representing cumulative study in their applied area. Curriculum serves as the capstone performance requirement for the degree program. Corequisite: Any MUSP 4000 level course.

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 4152. Problems in Music.

This course provides students the opportunity to pursue independent study on specific music topics not addressed in existing coursework. Under faculty supervision, students identify an area of musical inquiry, develop a study plan, and engage in directed research, analysis, or creative exploration. The structure and focus of the work vary depending on the student’s selected topic and approved proposal. Curriculum supports individualized learning pathways, allowing students to deepen knowledge in areas aligned with their academic or professional interests. Enrollment requires approval from the Director of the School of Music. May be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 4156. Mariachi Arranging Techniques.

This course explores beginning to advanced arranging techniques for traditional and contemporary mariachi ensembles. Students will analyze classic repertoire by groups such as Mariachi Vargas de Tecalitlán and study stylistic elements popularized by artists like Vicente Fernández, Javier Solis, Lucha Villa, Juan Gabriel, and others. Topics include instrumentation, harmonic reharmonization, rhythmic variation, vocal support, and writing for violins, trumpets, vihuela, guitarrón, and voice. Through score study and original projects, students will develop culturally informed, performance-ready arrangements rooted in mariachi tradition. Prerequisite: MU 2315 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

MU 4157. Mariachi Ensemble Teaching Lab.

This course equips future music educators with the skills to teach and lead school-based mariachi programs. Students explore pedagogical strategies, rehearsal techniques, and assessment methods while gaining hands-on experience through simulated and authentic teaching opportunities. Topics include curriculum development, rehearsal strategies, repertoire selection, classroom management, instrumental and vocal technique, music literacy, assessment, and community engagement specific to the school-based mariachi program. Students apply educational psychology concepts to address diverse learning needs and foster musical growth. The course culminates in developing and implementing lesson plans that create positive, productive learning environments for the mariachi classroom.

1 Credit Hour. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MU 4170. Mariachi Arranging.

This course explores beginning to advanced arranging techniques for traditional and contemporary mariachi ensembles. Students analyze classic repertoire by groups such as Mariachi Vargas de Tecalitlán and study stylistic elements popularized by artists like Vicente Fernández, Javier Solis, Lucha Villa, Juan Gabriel, and others. Topics include instrumentation, harmonic reharmonization, rhythmic variation, vocal support, and writing for violins, trumpets, vihuela, guitarrón, and voice. Through score study and original projects, students develop culturally informed, performance-ready arrangements rooted in mariachi tradition.  Prerequisite: MU 2315 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4180. Recording Practicum VII.

This course examines techniques used in audio engineering for game and multimedia production. Students explore an industry standard game engine, a stand alone audio engine, common sound formats, spatial audio tools, methods for randomization, and basic scripting functions. In addition, this course emphasizes practical configuration and implementation strategies used in contemporary interactive environments. The course supports skill development for students working with audio in game design, multimedia, and related creative technologies. Full major status in SRT is required. Prerequisite: MU 3182 with a grade of "C" or better. Corequisite: MU 4385 with a grade of a "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4182. Recording Practicum VIII.

This course develops students’ skills in evaluating and refining audio mixes through quality control listening practices and subtle sonic adjustments suitable for varied playback environments. Students engage in advanced mastering related tasks, including applying equalization, compression, sample rate conversion, and metadata compliant deliverable preparation. In addition, the course offers structured guidance for capstone portfolio expectations to support the final stages of professional documentation. Instruction emphasizes analytical listening, technical accuracy, and industry standard workflows. Full major status in SRT is required. Prerequisite: MU 4180 with a grade of "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4185. Senior Research Project.

This course examines senior recital literature through analytical, historical, technical, and stylistic study to support advanced undergraduate performance preparation. Students research selected recital repertoire, apply established methodologies in performance analysis, and produce a formal written paper presenting their findings. Emphasis is placed on independent inquiry, evidence based interpretation, and clear written communication appropriate to performance studies. The course also guides students in connecting scholarly investigation with applied performance preparation. Concurrent enrollment in Senior Recital, senior level applied lessons, and the appropriate major ensemble is required. Corequisites: MU 4050 with a grade of a "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4234. Arranging Techniques for School Music Ensembles.

This course introduces practical techniques for arranging music for a wide range of school ensembles. Students explore the capabilities and characteristics of each instrument family, with attention to range, tone color, and balance. Instruction includes essential manuscript skills, covering both traditional hand notation and computer-assisted scoring. Through guided listening, score study, and hands-on projects, students develop effective arranging strategies for voicing, scoring, and ensemble texture. Emphasis is placed on creating clear, performable arrangements suited to varied ability levels and ensemble types.  Prerequisite: [MU 2315 and MU 3207 and [MUSP 3241 or MUSP 3247 or MUSP 3251 or MUSP 3257] and [MUSP 3155 or MUSP 3157 or MUSP 3251 or MUSP 3257 or MUSP 3165] and MUSP 3365 with grades of a "C" or better.

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4244. Jazz Theory and Improvisation III.

This course builds on skills developed in MU 3234 and examines advanced concepts in jazz theory and improvisation. Students study symmetrical scales, chord substitutions, re harmonization approaches, and pentatonic and other non traditional scale forms as they apply to performance contexts. The course emphasizes analytical understanding, stylistic application, and pedagogical considerations relevant to jazz practice. Historical and cultural factors that have shaped various improvisational traditions are presented as objects of scholarly study, enabling students to evaluate diverse approaches without prescribing particular artistic perspectives. Through guided performance exercises, listening, and transcription, students develop increased fluency in applying theoretical concepts to improvisational settings. Prerequisite: MU 3234 and MUSE 3127 all with a grade of "C" or better or permission of instructor.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

MU 4245. Jazz Composition and Arranging.

This course examines fundamental techniques in jazz composition and arranging for small ensembles. Students study harmonic practice, voicing strategies, orchestration methods, and stylistic conventions drawn from major jazz traditions. Emphasis is placed on analyzing model scores, developing clear part writing, and understanding genre specific rhythmic and textural concepts. Through guided projects, students create original arrangements that demonstrate idiomatic writing for rhythm sections and horns. Listening activities, score study, and structured critique support the development of practical musicianship and transferable creative skills. The course provides a foundation for advanced work in jazz writing, composition, and commercial music applications. Prerequisite: MU 4244 with a grade of "C" or better or permission of instructor.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

MU 4253. Problems in Music.

This course provides students the opportunity to pursue independent study on specific music topics not addressed in existing coursework. Under faculty supervision, students identify an area of musical inquiry, develop a study plan, and engage in directed research, analysis, or creative exploration. The structure and focus of the work vary depending on the student’s selected topic and approved proposal. Coursework supports individualized learning pathways, allowing students to deepen knowledge in areas aligned with their academic or professional interests. Enrollment requires approval from the Director of the School of Music. May be repeated for credit.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 4257. Vocal Pedagogy I: Voice Science.

This course examines the scientific foundations of singing and voice teaching through the study of vocal anatomy, physiology, acoustics, and vocal health. Students explore the structure and function of the respiratory, phonatory, and resonatory systems, as well as acoustic principles that influence resonance, registration, and timbre. The course integrates current research in voice science with practical implications for singing and instruction. Attention is given to vocal efficiency, injury prevention, and evidence-based teaching approaches. Through readings, discussion, applied analysis, and practical demonstrations, students develop scientifically informed perspectives on vocal production and pedagogy. Prerequisites: MUSP 2220 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 4259. Vocal Literature.

This course offers an in-depth examination of vocal literature from approximately 1600 to the present, with a focus on major composers, evolving stylistic trends, and international musical traditions. Students engage with a wide range of vocal repertoire while considering historical context, language, and genre-specific conventions. The course emphasizes informed repertoire selection, technical and expressive performance challenges, and interpretive approaches appropriate to each historical period. Through analytical listening, score study, and critical discussion, students develop stylistic awareness and apply these insights directly to solo vocal performance. Prerequisites: MUSP 2220 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 4260. Vocal Pedagogy II: Methods.

This course examines historical and contemporary methods of voice teaching through comparative study of pedagogical treatises, technical approaches, and instructional strategies. Students explore vocal exercises and vocalises designed to support breath coordination, phonation, resonance, registration, articulation, and stylistic flexibility. Emphasis is placed on diagnosing and addressing vocal challenges, designing sequenced instructional plans, and applying pedagogical principles in supervised peer teaching contexts. The course integrates theoretical knowledge from voice science with practical teaching methodologies, fostering reflective and informed approaches to voice instruction. Prerequisite: MU 4257 with a grade of "B" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4261. Guitar Pedagogy.

This course provides a comprehensive study of instructional methodologies used in guitar education from beginning through advanced levels. Students examine established teaching approaches, observe instructional strategies in practice, and analyze the effectiveness of varied sequencing methods. The course emphasizes both one-on-one and group instructional contexts, allowing students to study how differing environments shape pedagogical decision-making. Through guided analysis, lesson plan design, and structured reflection, students gain experience applying methodical teaching processes grounded in observable practice rather than prescriptive ideology. The course prepares students to evaluate and implement evidence-based strategies within diverse instructional settings. Corequisite: MUSP 3260 or MUSP 4260 with a grade of a "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4262. Guitar Literature.

This course provides an in-depth study of guitar repertoire across solo, chamber, and orchestral contexts. Students examine major stylistic periods, influential composers, and the development of performance practices associated with the instrument. The course emphasizes analytical listening, historical context, and the study of representative works that demonstrate significant technical and artistic developments. Students investigate editions, interpretive choices, and rehearsal considerations relevant to preparing literature for performance. While the course focuses on the student’s primary instrument, attention is also given to broader traditions that inform contemporary guitar performance. Corequisite: MUSP 3260 or MUSP 4260 with a grade of a "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4263. Keyboard Pedagogy.

This course provides an in-depth study of instructional methodologies used in the teaching of keyboard from beginning through advanced levels. Students examine major pedagogical approaches, sequencing strategies, and techniques for individual and group instruction. Through observation, analysis, and practical teaching experience, students learn how to apply established methods to diverse learning contexts and varied student needs. The course emphasizes evidence-based teaching practices, structured lesson planning, and reflective self-assessment. Attention is given to developing adaptable instructional strategies that support skill development across a range of proficiency levels. No specific pedagogical philosophy is required, and students evaluate approaches as objects of study rather than prescribed models. Corequisite: MUSP 3230 or MUSP 4230 with a grade of a "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4264. Keyboard Literature I.

This course examines keyboard repertoire composed between 1700 and 1850, highlighting the development of solo, chamber, and orchestral keyboard writing within its historical context. Students study representative works, stylistic characteristics, and evolving performance practices associated with major composers and traditions. The course also introduces methods for analyzing editions, score preparation, and historically informed interpretation. Attention is given to literature relevant to each student’s primary instrument while maintaining a broad overview of the period’s major genres. Through listening, score study, and discussion, students develop the analytical and stylistic tools necessary for informed performance and scholarship. Corequisite: MUSP 3230 or MUSP 4230 with grades of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4265. Keyboard Literature II.

This course examines keyboard repertoire from approximately 1850 to the present, emphasizing the historical, stylistic, and structural features that shape solo, chamber, and orchestral keyboard writing. Students study representative works alongside relevant musicological scholarship, focusing on performance practice and interpretive traditions across stylistic periods. The course also explores rehearsal considerations, editorial variations, and the evolving role of keyboard instruments in modern performance contexts. Emphasis is placed on repertoire associated with each student’s primary instrument to support individualized artistic development within a scholarly framework. Corequisite: MUSP 3230 or MUSP 4230 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4266. Woodwind Pedagogy.

This course provides an in-depth study of instructional methodologies used in teaching woodwind instruments across beginning, intermediate, and advanced levels. Students examine historical and contemporary pedagogical approaches, analyze technique-based learning sequences, and evaluate strategies for individual and group lesson settings. Through guided observation and structured practice, the course emphasizes systematic planning, formative assessment, and reflective teaching. Students develop lesson plans, review model teaching demonstrations, and study diverse instructional materials used in woodwind education. The course treats pedagogical methods as objects of scholarly and professional inquiry, supporting students in forming their own evidence-based teaching perspectives. Corequisite: MUSP 3240 or MUSP 4240 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4267. Woodwind Literature.

This course examines solo, chamber, and/or orchestral repertoire for woodwind instruments through historical, analytical, and stylistic perspectives. Students study representative works from major periods, develop familiarity with performance practice considerations, and explore how instrumentation influences interpretive decisions. The course may also introduce methods for evaluating editions, researching composers, and understanding the evolution of woodwind literature. Emphasis is placed on applying these analytical tools to the student’s primary instrument while maintaining an objective, scholarly approach to music as an evolving artistic tradition. At times, students may be required to perform in recitals or mock auditions. Corequisite: MUSP 3240 or MUSP 4240 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4268. Brass Pedagogy.

This course introduces the pedagogical principles, instructional methods, and materials essential to effective brass instruction. Students examine the physiological and acoustical foundations of brass performance while developing an understanding of how these principles inform technique. Coursework emphasizes instructional strategies appropriate for beginners through advanced musicians, with focused study of tone production, embouchure development, air management, articulation, posture, and physical alignment. Additional topics include appropriate equipment selection, evaluation of method books and teaching resources, and the design of effective lesson structures. Corequisite: MUSP 3250 or MUSP 4250 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4269. Brass Literature.

This course offers an in‑depth study of brass solo, chamber, and large‑ensemble literature through analytical, historical, and stylistic investigation. Students examine major repertoire across eras, genres, and cultural traditions, considering performance practice, editorial issues, and pedagogical perspectives relevant to their primary instrument. Through score analysis, critical listening, and engagement with scholarly research, students develop a deeper understanding of how brass literature has evolved and how it informs contemporary interpretation. The course supports advanced preparation for performance, teaching, and continued academic study in brass‑related disciplines. Corequisite: MUSP 3250 or MUSP 4250 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4270. Percussion Pedagogy.

This course provides a comprehensive examination of percussion teaching methodologies for beginning through advanced learners. Students study instructional strategies, sequencing of technical skills, repertoire selection, lesson planning, and approaches to both individual and group instruction. Emphasis is placed on developing evaluative listening skills, identifying common performance challenges, and applying research-informed pedagogical practices across diverse educational contexts. Through observation, guided practice, and analytical reflection, students gain the tools to construct effective instructional plans and adapt teaching approaches to varied learner needs. The course positions percussion pedagogy as a scholarly area of study, supporting inquiry into technique, musicianship, and instructional design while allowing students to form their own professional perspectives. Corequisite: MUSP 3170 or MUSP 3270 or MUSP 4170 or MUSP 4270 with a grade of a "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4271. Percussion Literature.

This course provides an in-depth study of percussion repertoire across solo, chamber, and orchestral contexts. Students examine representative works, historical developments, performance practices, and rehearsal approaches relevant to percussion literature. Attention is given to stylistic features, influential composers, instrument-specific traditions, and the ways in which repertoire choices shape performance outcomes. Through listening, score study, guided research, and applied discussion, students develop a comprehensive understanding of the musical, technical, and contextual elements that inform percussion performance. The course supports critical engagement with diverse literature while allowing students to apply analytical insights to their primary instrument and artistic goals. Corequisite: MUSP 3170 or MUSP 3270 or MUSP 4170 or MUSP 4270 with a grade of a "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4272. String Pedagogy.

This course provides an in‑depth study of string teaching methodologies from beginning through advanced levels, emphasizing both individual and group instruction models. Students engage with historical and contemporary pedagogical approaches, explore key teaching strategies, and apply foundational techniques such as sequencing, assessment, lesson planning, and physical setup. Activities include developing teaching videos, observing lessons, and constructing a comprehensive pedagogy notebook. Through guided practice and reflection, the course strengthens students’ ability to introduce core technical skills, craft effective lesson structures, and build a personal teaching philosophy grounded in current pedagogical thought. Corequisite: MUSP 3260 or MUSP 4260 with a grade of a "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4273. String Literature.

This course provides an in‑depth exploration of string repertoire across major historical style periods, emphasizing solo, chamber, and orchestral literature relevant to each student’s primary instrument. Through focused listening, score study, performance excerpts, and discussion of historical context, students engage with stylistic characteristics, performance practice, and technical demands of representative works. The curriculum fosters informed repertoire selection, develops contextual understanding, and strengthens students’ ability to recognize, interpret, and perform essential string literature. Guided research, comparative study, and applied musicianship deepen students’ artistic insight and prepare them for advanced performance and teaching contexts. Corequisite: MUSP 3260 or MUSP 4260 with a grade of a "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

MU 4310. Guitar Class III: Rock, Country, Blues.

This course develops intermediate to advanced guitar skills through the study of techniques used in rock, country, and blues performance. Students will practice scales, arpeggios, strumming patterns, and accompanying styles while examining how these technical elements support musical expression within each genre. The course emphasizes applied performance, guided listening, stylistic analysis, and the development of independent practice strategies. Designed for non music majors seeking structured advancement on the instrument, the course provides opportunities to strengthen both technical facility and stylistic awareness. No prior experience beyond Guitar Class II (or equivalent) is required. Prerequisite: MU 3310 with a grade of "C" or better.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4312. Guitar Class IV: Rock, Country, Blues.

This course develops advanced guitar skills with an emphasis on soloing, accompaniment, and stylistic interpretation across country, blues, and rock traditions. Students examine significant contemporary performers to understand how technique, tone production, and stylistic norms shape genre-specific approaches to performance. Through guided practice, listening analysis, and applied study, learners refine technical fluency while building stylistic awareness and versatility. The course supports students in applying analytical and performance skills in a variety of contemporary musical contexts. Prerequisite: MU 4310 with a grade of "C" or better.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4330. Form and Analysis.

This course explores principles of form and analysis through the in-depth application of various analytical systems to musical repertoire, focusing on standard musical forms of the seventeenth to the nineteenth century. Students define and recognize diverse formal archetypes and processes, analyze and interpret musical examples, compare different analytical frameworks, and construct their own analyses. Topics may include binary and ternary forms, sonata, rondo, concerto, fugue, ostinato, and variations. Readings from theoretical texts will accompany score study and guided listening. Prerequisite: MU 2316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4332. Contemporary Analytic Techniques.

This course examines compositional techniques and aesthetic developments in twentieth- and twenty-first-century music, with particular emphasis on works composed since 1945. The course integrates analytical study with practical application. Students explore pitch organization, rhythmic innovation, extended instrumental techniques, timbral design, serial and post-serial procedures, spectral and textural approaches, and selected electroacoustic or experimental practices. Readings in composer writings and aesthetic documents accompany score study and listening. Through analytical writing and model composition exercises, students develop fluency in contemporary techniques and apply them in original creative work. Prerequisite: MU 2316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4334. Orchestration.

This course explores the individual characteristics of standard instruments, including the wind, brass, string, and percussion families, and the ways in which they are combined effectively in different instrumental ensembles, especially orchestra. Students examine orchestral excerpts featuring individual instruments or sections, as well as string quartets, wind quintets, and full orchestral works, to analyze orchestration techniques. Students create analytical reductions of full scores and interpret instrumentation choices. Students create their own orchestrations of assigned piano works to demonstrate their application of the skills and techniques covered in the class. Readings from orchestration texts accompany score study and guided listening. Prerequisite: MU 2316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4336. 18th-Century Counterpoint.

This course presents an overview of the major forms and techniques of eighteenth-century counterpoint, with particular emphasis on the work of Johann Sebastian Bach (1685–1750). Topics may include principles of keyboard harmony, species counterpoint, chorale harmonizations, chorale preludes, canons, inventions, and fugues. Students identify elements of contrapuntal forms through oral presentation and analysis of various musical examples. Students further develop contrapuntal technique through assigned exercises and by creating original compositions in the style of eighteenth-century composers. Prerequisite: MU 2316 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4343. Jazz Pedagogy.

This course examines methods, materials, and instructional strategies used in jazz education across secondary, collegiate, and community settings. Emphasis is placed on approaches to teaching improvisation, ensemble rehearsal techniques, rhythm section instruction, stylistic interpretation, and curriculum design. Students analyze historical and contemporary pedagogical models, evaluate instructional resources and repertoire, and observe teaching practices in applied contexts. Through guided teaching exercises and reflective analysis, students develop practical skills related to ensemble leadership, rehearsal planning, and instructional decision making. The course prepares students to design and implement effective jazz instruction informed by research, professional standards, and contextual considerations relevant to a range of jazz ensemble environments. Prerequisites: MU 3233 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

MU 4345. Large Jazz Ensemble Repertoire.

This course introduces students to the major repertoire of large jazz ensembles, tracing the genre’s development from the swing era to contemporary compositions. Students examine hallmark works from each decade and study the contributions of significant jazz composers. Attention is given to stylistic traits, orchestration techniques, and the shifting performance practices associated with evolving ensemble traditions. Through listening, analysis, and historical contextualization, students gain familiarity with the musical, cultural, and educational dimensions of big-band literature. Coursework also provides practical tools for selecting age appropriate and skill appropriate repertoire for ensembles at various developmental stages. Prerequisite: MU 3375 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4351. Problems in Music.

This course provides students the opportunity to pursue independent study on specific music topics not addressed in existing coursework. Under faculty supervision, students identify an area of musical inquiry, develop a study plan, and engage in directed research, analysis, or creative exploration. The structure and focus of the work vary depending on the student’s selected topic and approved proposal. Coursework supports individualized learning pathways, allowing students to deepen knowledge in areas aligned with their academic or professional interests. Enrollment requires approval from the Director of the School of Music. May be repeated for credit.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 4353. Problems in Music.

This course provides students the opportunity to pursue independent study on specific music topics not addressed in existing coursework. Under faculty supervision, students identify an area of musical inquiry, develop a study plan, and engage in directed research, analysis, or creative exploration. The structure and focus of the work vary depending on the student’s selected topic and approved proposal. This course supports individualized learning pathways, allowing students to deepen knowledge in areas aligned with their academic or professional interests. Enrollment requires approval from the Director of the School of Music. May be repeated for credit.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MU 4354. Business in Music.

This course examines the structures, professional practices, and economic dimensions of the music industry. Students explore a range of career paths available to musicians, including performance, education, production, administration, and entrepreneurial work. Emphasis is placed on understanding how various sectors of the industry function and how professionals navigate them. Through case studies and analysis of current industry models, students learn to evaluate opportunities, identify necessary skills, and consider multiple approaches to professional development. The course focuses on studying industry systems rather than prescribing specific vocational choices, allowing students to make informed decisions about their own trajectories.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4355. Mariachi Arranging Techniques.

This course explores beginning to advanced arranging techniques for traditional and contemporary mariachi ensembles. Students analyze classic repertoire by groups such as Mariachi Vargas de Tecalitlán and study stylistic elements popularized by artists like Vicente Fernández, Javier Solis, Lucha Villa, Juan Gabriel, and others. Topics include instrumentation, harmonic reharmonization, rhythmic variation, vocal support, and writing for violins, trumpets, vihuela, guitarrón, and voice. Through score study and original projects, students develop culturally informed, performance-ready arrangements rooted in mariachi tradition. Prerequisite: MU 2315 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4358. Advanced Musicianship Skills.

This course develops advanced, integrated musicianship skills through focused study in sight-reading, aural analysis and dictation, keyboard fluency, and score reading. Students refine rapid score comprehension, melodic and harmonic transcription, and stylistically informed keyboard harmonization across tonal and post-tonal contexts. Through applied exercises and performance-based assessments, students cultivate higher-level fluency and flexibility in varied musical settings. Coursework focuses on developing advanced musicianship skills, specifically highlighting sight-singing, error detection, transcription, dictation, and improvisation. The repertoire for this course includes western and-non-western music of various styles and modalities. Prerequisite: MU 2116 with grade of "C" or better.

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4385. Advanced Audio Recording Techniques.

This course examines foundational concepts in digital audio, focusing on classic approaches alongside contemporary applications used in sound reproduction and production. Students study digital signal flow, control protocols, and common tools for developing scripts, plug‑ins, and device‑based audio systems. Emphasis is placed on understanding the technical structures that support modern digital audio environments, including hardware–software interaction and interpretation of schematics. Coursework provides opportunities to analyze, design, and build functional audio components using established platforms. Prerequisite: MU 3384 with a grade of "C" or better. Corequisite: MU 4180 with a grade of a "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

MU 4386. SRT Internship.

This course provides supervised professional experience in an approved setting where audio or sound‑related work is central to daily operations. Students apply theoretical and laboratory knowledge to practical tasks while observing workplace expectations, workflows, and professional communication practices. The internship setting enables students to develop their technical competencies, understand industry procedures, and reflect on how their academic preparation relates to real‑world environments. Full major status in Sound Recording Technology is required, along with completion of at least 80% of core recording courses.

3 Credit Hours. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Grade Mode: Standard Letter

Courses in Music Ensembles (MUSE)

MUSE 3009. Opera Production.

This course provides practical experience in the staging and performance of a fully staged or opera-scenes program. Students apply vocal, theatrical, and ensemble skills in a production setting, integrating acting, stagecraft, character development, diction, and musical interpretation. Emphasis is placed on rehearsal techniques, collaborative performance, and professional stage preparation. Concurrent enrollment in Applied Voice is recommended to support individual vocal development. The course may be repeated for credit to allow continued participation in production projects. Prerequisite: MUSE 3106 with a grade of “C” or better.

0 Credit Hours. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3026. Student Chamber Music.

This course offers structured study and performance of chamber music within small ensemble settings. Students rehearse repertoire for varied instrumental combinations and examine stylistic, structural, and interpretive features relevant to selected works. Instruction focuses on rehearsal techniques, ensemble communication, score study, and practical considerations for collaborative performance. Emphasis is placed on developing independent musicianship within a group context and applying discipline specific performance practices. Taught by instructors in the field of the students involved. Zero-credit, music majors only.

0 Credit Hours. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3027. Jazz Seminar.

This course provides Jazz Performance majors with structured engagement in topics that extend beyond their regular applied and ensemble work. Students attend lectures, demonstrations, and discussions led by jazz faculty and guest artists who present diverse approaches to professional jazz performance. The course emphasizes observational learning, applied reflection, and informed participation in performance-based workshops. Students examine contemporary practices, rehearsal methods, and professional expectations within jazz settings. Through rotating seminar modules, participants gain exposure to varied artistic perspectives, helping them situate their developing performance skills within broader professional contexts.

0 Credit Hours. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MUSE 3028. Latin Music Studies Seminar.

This course examines professional practices in Latin music through interaction with faculty and visiting artists. Students explore topics that extend beyond their regular applied lessons, including stylistic performance approaches, rehearsal methods, and professional expectations in mariachi, salsa, and other Latin genres. The course incorporates lectures, demonstrations, and guided performance activities designed to help students connect their developing musicianship with real-world artistic settings. Through participation in discussions and performance workshops, students analyze a variety of interpretive decisions and consider how professional musicians refine technique, collaborate, and respond to feedback. Curriculum provides a structured environment for observing, preparing, and presenting work while engaging with current practices in the field.

0 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3099. Concert Ensemble.

This course provides music majors with focused experience in a mixed concert ensemble designed to strengthen ensemble performance skills, develop musical interpretation, and apply rehearsal techniques in a collaborative setting. Students engage in regular rehearsals, receive faculty coaching, and prepare repertoire representative of varied stylistic periods and traditions. Emphasis is placed on professional ensemble practices, score preparation, listening skills, and performance etiquette. This zero credit ensemble is restricted to full music majors and serves as a structured environment for refining performance competencies fundamental to degree progress.

0 Credit Hours. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3100. Mariachi Lince de Oro.

This course is an ensemble course devoted to the study and performance of traditional and contemporary Mariachi repertoire. Students rehearse and perform music drawn from regional Mexican traditions while developing ensemble skills such as rhythmic accuracy, stylistic articulation, balance, blend, and expressive phrasing. The course emphasizes characteristic forms, rhythms, instrumentation, vocals, and performance practices associated with Mariachi music, as well as its cultural and historical contexts. Through regular rehearsals and public performances, students strengthen musicianship, listening skills, and collaborative performance techniques. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3101. Bobcat Basketball Band.

This course provides students with the experience of performing as part of the university’s basketball band, supporting men’s and women’s basketball games that occur during the academic session, as well as other university-sanctioned athletic events. Students rehearse and perform a diverse range of musical selections appropriate for athletic band settings and develop ensemble performance skills in varied high-energy environments. The ensemble may travel for postseason tournaments as scheduled or as available. May be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 4 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3102. Salsa Del Rio.

This course is a performance-based ensemble dedicated to the study and performance of salsa and related Latin and South American musical styles. Students develop ensemble performance skills through the rehearsal and presentation of repertoire that emphasizes rhythmic precision, stylistic authenticity, and collaborative interaction among instrumentalists and vocalists. The course explores characteristic rhythms, forms, and performance practices associated with salsa and its cultural contexts. Through regular rehearsals and performances, students enhance technical proficiency, listening skills, and stylistic awareness. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3103. Mariachi Nueva Generación.

This course is an ensemble course devoted to the study and performance of traditional and contemporary Mariachi repertoire. Students rehearse and perform music drawn from regional Mexican traditions while developing ensemble skills such as rhythmic accuracy, stylistic articulation, balance, blend, and expressive phrasing. The course emphasizes characteristic forms, rhythms, instrumentation, vocals, and performance practices associated with Mariachi music, as well as its cultural and historical contexts. Through regular rehearsals and public performances, students strengthen musicianship, listening skills, and collaborative performance techniques. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MUSE 3104. Panorama Steel Drum Band.

This course provides students with ensemble experience in the study and performance of Caribbean steel pan traditions. Students learn instrument techniques, ensemble rehearsal processes, and performance practices associated with steel drum band repertoire. Instruction emphasizes listening, rhythmic precision, and collaborative music-making while situating steel pan music within its cultural and historical contexts as objects of study. Repertoire selection reflects a range of stylistic approaches, and students participate in rehearsals and public performances throughout the term. The course may be repeated for credit as musical responsibilities and repertoire vary by semester.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MUSE 3105. VocaLibre.

This course is an auditioned performance group open to students across the university and dedicated to expressive, collaborative music-making. The ensemble studies and performs repertoire spanning traditional choral works, early music, jazz-influenced styles, popular and R&B selections, and vocal music from various global traditions. Emphasis is placed on stylistic flexibility, healthy vocal production, ensemble blend, rhythmic precision, and meaningful communication with audiences. Through innovative programming and public performances, students develop musicianship, artistic identity, and professional rehearsal practices while engaging audiences on campus and throughout the surrounding community. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3106. Opera Workshop.

This course is a performance-based course designed to develop the practical and artistic skills required for operatic performance. Students study and apply techniques related to singing, acting, movement, diction, characterization, and ensemble collaboration through scenes, excerpts, and/or staged productions. The course emphasizes stylistic interpretation, musical preparation, dramatic communication, and professional rehearsal practices. Through coached rehearsals and performances, students gain experience integrating musical and theatrical elements while preparing for professional operatic and related performance contexts. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3107. Opera Theatre.

This course is an advanced performance ensemble in which students study and perform complete operatic roles through operatic scenes, chamber operas, one-act operas, and/or fully staged productions. The course emphasizes the integration of vocal technique, musical preparation, dramatic interpretation, movement, and ensemble collaboration within a professional rehearsal environment. Students work closely with directors, conductors, and coaches to prepare roles to performance-ready standards. Through rehearsals and public performances, participants develop artistic independence, stylistic awareness, and professional performance practices essential to operatic careers. The course may be repeated for credit. Prerequisite: MUSE 3106 with a grade of "B" or better.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3108. Orquesta del Rio.

This course is a performance-based ensemble dedicated to the study and performance of salsa and related Latin and South American musical styles. Students develop ensemble performance skills through the rehearsal and presentation of repertoire that emphasizes rhythmic precision, stylistic authenticity, and collaborative interaction among instrumentalists and vocalists. The course explores characteristic rhythms, forms, and performance practices associated with salsa and its cultural contexts. Through regular rehearsals and performances, students enhance technical proficiency, listening skills, and stylistic awareness. The course may be repeated for credit. (MULT).

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Lab Required|Multicultural Content
Grade Mode: Standard Letter

MUSE 3109. Opera Production.

This course is an advanced performance ensemble in which students participate as singers in a full opera production or in staged opera scenes. The course emphasizes comprehensive preparation for professional operatic performance, integrating vocal technique, musical interpretation, dramatic expression, movement, and ensemble collaboration. Students work within a structured rehearsal and production process that reflects professional standards, including staging, coaching, and performance. Through rehearsals and public performances, participants develop artistic discipline, performance stamina, and professional rehearsal practices. The course may be repeated for credit. Prerequisite: MUSE 3106 with a grade of "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3120. Bobcat Marching Band.

This course provides students with experience performing in a university marching ensemble that appears at home and select away football games. Students study and rehearse traditional and corps-style marching techniques, musical performance skills, and coordinated field movement. The ensemble prepares and presents multiple shows designed for various athletic settings and participates in exhibition performances throughout the region. Instruction emphasizes precision, ensemble cohesion, and performance readiness within large ensemble contexts. May be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3122. Aurora Voce.

This course is a highly selective choral ensemble open by audition to treble singers across the university. The ensemble focuses on the study and performance of high-quality, challenging repertoire spanning various historical periods, stylistic traditions, and genres. Emphasis is placed on refined vocal technique, precise intonation, blend, balance, diction, and stylistic interpretation appropriate to small-ensemble singing. Through intensive rehearsals and public performances, students develop advanced musicianship, ensemble sensitivity, and professional rehearsal practices within a collaborative setting. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3123. Concert Band.

This course is a performance-based instrumental ensemble that provides ensemble experience for both music majors and non-music majors. The ensemble rehearses and performs wind band repertoire representing various historical periods and stylistic traditions. Emphasis is placed on developing fundamental ensemble skills, including tone production, intonation, rhythmic accuracy, balance, and stylistic interpretation. Through regular rehearsals and performances, students strengthen musicianship, ensemble awareness, and professional rehearsal practices. Music majors are placed in Concert Band through the ensemble auditions. Non-music majors may register for Concert Band without audition. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3124. Treble Voice Choir.

This course is a performance-based choral ensemble devoted to the study and performance of choral literature written for treble voices. Students rehearse and perform repertoire representing various historical periods, stylistic traditions, and genres while developing foundational ensemble skills. Emphasis is placed on healthy vocal technique, tone production, blend, balance, diction, and stylistic interpretation appropriate to treble-voice singing. Through regular rehearsals and performances, students strengthen musicianship, listening skills, and collaborative rehearsal practices. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3125. Tenor Bass Choir.

This course is an ensemble course dedicated to the study and performance of choral repertoire written for tenor and bass voices. Students develop advanced ensemble skills through focused work on tone production, diction, phrasing, blend, balance, and stylistic interpretation appropriate to lower-voice literature. The course emphasizes musicianship, score preparation, and collaborative rehearsal processes while exploring historical and contemporary repertoire. Performances, sectional rehearsals, and reflective practice contribute to the development of students’ musicianship and ensemble proficiency. May be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3126. Chamber Music.

This course offers structured study and performance of chamber music within small ensemble settings. Students rehearse repertoire for varied instrumental combinations and examine stylistic, structural, and interpretive features relevant to selected works. Instruction focuses on rehearsal techniques, ensemble communication, score study, and practical considerations for collaborative performance. Emphasis is placed on developing independent musicianship within a group context and applying discipline-specific performance practices. Because repertoire and ensemble configurations rotate, the course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 4 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3127. Jazz Combo.

This course is a small performance ensemble focused on developing improvisational skills, stylistic fluency, and individual musical creativity through the study and performance of standard jazz repertoire. Students rehearse and perform in a chamber-sized setting that emphasizes interaction, listening, and spontaneous musical decision-making. The course addresses jazz forms, harmonic structures, rhythmic feel, and ensemble roles while fostering collaborative rehearsal practices. Through regular rehearsals and performances, students strengthen musicianship, stylistic awareness, and professional ensemble skills. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 4 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3130. Wind Symphony.

This course is a major instrumental ensemble composed of advanced wind and percussion students. The ensemble is dedicated to the rehearsal and performance of high-level wind band literature. Students engage with repertoire representing various compositional approaches and performance practices while developing refined ensemble skills. Emphasis is placed on advanced instrumental technique, balance, intonation, rhythmic precision, style, and artistic interpretation. Through intensive rehearsals and public performances, participants strengthen musicianship, ensemble awareness, artistic engagement, and professional rehearsal standards. Open to music majors and non-music majors, the course requires an audition and may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3131. Symphonic Winds.

This course is a major instrumental ensemble composed of highly-qualified wind and percussion students. The ensemble rehearses and performs wind band repertoire representing various historical periods, compositional approaches, and stylistic traditions. Emphasis is placed on advanced ensemble musicianship, refined instrumental technique, balance, intonation, rhythmic precision, and stylistic interpretation. Through regular rehearsals and public performances, students develop ensemble awareness, listening skills, and professional rehearsal practices within a large wind ensemble setting. Open to music majors and non-music majors, the course requires an audition and may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3140. Chorale.

This course is the university’s premier auditioned choral ensemble, dedicated to the study and performance of major works from the Renaissance to the twenty-first century. The ensemble emphasizes historically informed performance practices, refined vocal technique, and high-level musicianship appropriate to advanced choral literature. Students engage in intensive rehearsals and public performances that develop ensemble blend, intonation, diction, stylistic interpretation, and expressive communication. Participation fosters professional rehearsal standards and artistic excellence within a collaborative, disciplined choral environment. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3141. University Singers.

This course is a major choral ensemble dedicated to the rehearsal and performance of choral literature spanning from the seventeenth century to the present. Students engage with repertoire representing various historical periods and stylistic traditions, including large-scale masterworks and selected contemporary compositions. Emphasis is placed on healthy vocal technique, ensemble blend, and balance, accurate intonation, diction, and stylistic interpretation. Through regular rehearsals and public performances, students develop advanced musicianship, listening skills, and professional rehearsal practices. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3150. Symphony Orchestra.

This course studies and performs orchestral repertoire from the Baroque period to the present through rehearsals, sectionals, and public performances. Students engage in the collaborative preparation of major works of the orchestral repertoire while refining ensemble awareness, stylistic interpretation, and professional rehearsal practices. Repertoire includes symphonic masterworks, collaborations with guest soloists and faculty artists, and performances of orchestral literature associated with opera and oratorio. Students also engage with music by living composers, including contemporary American repertoire, examining its relationship to the broader orchestral tradition while developing ensemble skills associated with professional orchestral performance.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3151. Camerata Orchestra.

This course studies and performs string orchestra repertoire through rehearsals and public performances. Students engage in the collaborative preparation of works for string orchestra while refining ensemble awareness, stylistic interpretation, and collaborative musicianship. The ensemble provides an orchestral experience for students from across the university who are not majoring in music while also offering additional orchestral experience for music majors developing ensemble skills. Camerata also supports the graduate conducting program by serving as a laboratory ensemble for conducting study and rehearsal pedagogy.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3160. Jazz Ensemble.

This course is an advanced performance ensemble devoted to the rehearsal and presentation of sophisticated arrangements of contemporary popular music and established jazz repertoire. The course emphasizes stylistic authenticity, rhythmic precision, ensemble balance, and expressive interpretation across various jazz styles. Students refine skills in section playing, ensemble coordination, and improvisation appropriate to advanced repertoire. Through intensive rehearsals and public performances, participants develop high-level musicianship, stylistic awareness, and professional ensemble practices. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 9 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3161. Jazz Orchestra.

This course is an intermediate jazz ensemble focused on the rehearsal and performance of intermediate-level arrangements of contemporary popular music and established jazz repertoire. The course emphasizes stylistic accuracy, rhythmic precision, ensemble balance, and expressive interpretation across various jazz styles. Students develop skills in section playing, ensemble coordination, and improvisation as appropriate to the repertoire. Through regular rehearsals and public performances, participants strengthen musicianship, stylistic understanding, and professional ensemble practices. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3162. Jazz Lab Band.

This course is a performance-based ensemble that introduces students to jazz-oriented ensemble playing through the rehearsal and performance of beginning-level arrangements of contemporary jazz styles. The course emphasizes fundamental jazz ensemble skills, including swing feel and other groove styles, rhythmic accuracy, balance, blend, articulation, and basic improvisation concepts as appropriate. Students develop musicianship and ensemble awareness through regular rehearsals and performances while gaining experience with stylistic conventions common to jazz and popular music settings. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3170. Accompanying.

This course is a coaching seminar for pianists focused on developing collaborative performance skills essential to professional music-making. Students work on sight-reading, score preparation, stylistic interpretation, and rehearsal collaboration while accompanying instrumentalists, vocalists, or ensembles of different sizes and types. Emphasis is placed on rhythmic reliability, balance, flexibility, and responsiveness to partners in a range of performance contexts. Through coached rehearsals and performances, students strengthen musicianship, ensemble awareness, and professional rehearsal practices. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 4 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3180. Mysterium for New Music Ensemble.

This course is a performance-based ensemble devoted to the study, rehearsal, and presentation of contemporary music across various styles, aesthetics, and media. Designed primarily for composition majors, the course emphasizes close engagement with recent and experimental repertoire, including works that incorporate extended techniques, nontraditional notation, electronics, improvisation, and interdisciplinary elements. Students analyze compositional strategies and performance practices while collaborating closely with peers and faculty to realize new and recent works. Through rehearsals, workshops, and performances, participants develop advanced musicianship, analytical insight, and professional rehearsal practices. The course may be repeated for credit.

1 Credit Hour. 0 Lecture Contact Hours. 4 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSE 3190. Guitar Ensemble.

This course provides students with structured experience in guitar ensemble performance, emphasizing collaborative music-making, stylistic awareness, and the development of musicianship through rehearsal and performance practices. Students engage with repertoire drawn from multiple musical periods and traditions, allowing them to study interpretive approaches, ensemble coordination, tone production, and musical communication. The course supports students in strengthening technical proficiency, score preparation, and ensemble responsiveness while learning to analyze the musical characteristics of selected works. Repetition for credit is permitted to allow continued growth across varying repertoire and ensemble configurations.

1 Credit Hour. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Courses in Applied Music (MUSP)

Applied Instruction: Private study of voice, piano/organ, woodwind, brass, string, and percussion instruments is available to all music majors from beginning through advanced levels of instruction. Though supervised private coaching, instruction focuses on technique, musicality, literature, and performance. May be repeated for credit. Prerequisite: Music major status or permission from instructor. 

MUSP 1120. Applied Voice.

This course provides individualized instruction in vocal technique, musicality, literature, and performance through supervised private study. Emphasis focuses on healthy vocal production, expressive interpretation, stylistic understanding, and performance readiness. Students engage in guided practice, apply techniques to repertoire, and receive feedback to refine tone, phrasing, and musical expression. Enrollment requires BA in Music status, concurrent enrollment in MU 1000, and the appropriate major ensemble. For BA in Music majors, this course is typically paired with MUSP 2120 to form a combined 50-minute applied lesson, supporting sustained development in technical and interpretive skills. Corequisite: MU 1000 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1121. Vocal Techniques.

This course provides group instruction in foundational vocal technique, musicality, and performance skills for non-voice majors, music minors, or other non-majors. Emphasis focuses on healthy vocal production, breath support, pitch accuracy, and expressive phrasing in a classroom setting. Students engage in guided exercises, learn basic repertoire, and practice ensemble and solo performance skills while receiving instructor feedback to refine tone, diction, and musical interpretation. The course may be repeated for credit, offering ongoing development and fostering confidence, musicianship, and preparation for future musical experiences in both academic and performance contexts.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1130. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1135. Piano Techniques I.

This course introduces fundamental piano techniques used in a wide range of musical settings. Students develop practical skills in sightreading, scale patterns, chord structures, harmonization, and introductory improvisation. Emphasis is placed on coordinated hand technique, accuracy, and basic stylistic awareness. Coursework provides structured opportunities for practice, guided application, and skill development appropriate to beginning level pianists. The course treats musical concepts as technical and artistic subjects of study, allowing students to build foundational proficiency that supports future work in performance, education, and ensemble participation.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter
TCCN: MUSI 1181

MUSP 1136. Piano Techniques II.

This course continues foundational skill development from Piano Techniques I and strengthens students’ technical and musical fluency at the keyboard. Students practice sightreading, scales, chord progressions, harmonization, and introductory improvisation to build comprehensive functional keyboard skills relevant to music majors. The course emphasizes accurate technique, efficient practice strategies, and stylistically informed performance approaches across a range of musical materials. Through guided exercises, short performance tasks, and individualized feedback, students develop confidence in applying keyboard skills to their broader musical studies. Prerequisites: MUSP 1135 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter
TCCN: MUSI 1182

MUSP 1137. Piano Techniques III.

This course offers an intermediate exploration of piano technique with attention to sight reading accuracy, scale patterns, chord structures, harmonization methods, and introductory improvisation. Students engage in guided practice designed to improve technical coordination, stylistic understanding, and responsive musicianship. Using a range of musical literature, the course highlights how technical skills function within broader musical objectives such as interpretation, collaborative performance, and personal artistic development. The course prepares students for upper level piano study by strengthening fluency, independence, and practical keyboard application. Prerequisite: MUSP 1136 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1138. Piano Techniques IV.

This course advances students’ piano performance skills through focused work in technical patterns, functional keyboard harmony, and improvisational fluency. Students analyze and perform musical excerpts that illuminate style, structure, and interpretive choices across different musical traditions. Emphasis is placed on precision, coordination, and adaptability at the keyboard. Through supervised practice and in-class demonstrations, students explore methods for developing efficient practice habits and expanding their musical vocabulary. The course prepares students for upper-division applied study and ensemble contexts requiring strong pianistic foundations. Prerequisite: MUSP 1137 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1140. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, Somos Musicos concerts, various competitions, final juries, and outreach or recruiting visits.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1150. Applied Brass.

This course is designed for students seeking to advance their musical training on a brass instrument. Instruction emphasizes the systematic study of brass performance and pedagogy through structured warm up routines, method and étude books, solo and ensemble literature, and guided listening assignments. Students develop technical proficiency, stylistic awareness, and analytical listening skills through individualized instruction and performance-based assessment. The course supports the progressive refinement of performance skills and introduces pedagogical concepts relevant to brass instruction within collegiate and professional music contexts.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1160. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including bow control, intonation accuracy, shifting facility, vibrato development (as appropriate), tone production, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit requires music major status. Prerequisite: Music major status or instructor approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1170. Applied Percussion.

This course provides advanced, individualized instruction in percussion performance through supervised private study. Instruction emphasizes refined technical coordination across multiple western percussion instruments, as appropriate to the student’s primary focus. Students engage with representative repertoire suitable for undergraduate-level study while cultivating interpretive depth, rhythmic precision, tonal control, and stylistic awareness. Through focused work on technique, repertoire analysis, and performance practice, students develop artistic maturity, versatility, and professional standards of preparation. May be repeated for credit and music major status. Prerequisite: Music major status or instructor approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1180. Introduction to Composition.

This course introduces students to the foundational technical and creative elements of music composition, with a focus on practical application through creating original music. Through selected readings, musical scores, and listening examples that cover a diverse range of styles and media, students apply new concepts in various assignments and larger projects. Topics may include creative strategies, musical elements like melody, rhythm, and form, notation software, post-tonal techniques, soundscape, film and video game music, and professional skills.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1220. Applied Voice.

This course examines foundational vocal technique, musicality, repertoire, and performance skills through supervised private instruction. Students explore basic stylistic, technical, and interpretive aspects of classical vocal literature appropriate to beginning-level singers, engaging in guided practice, individualized coaching, and instructor feedback. Instruction emphasizes analytical listening and development of foundational performance skills. Students develop the ability to evaluate vocal production, interpret simple repertoire accurately, and demonstrate informed musicianship in both solo and ensemble settings. Prerequisite: Music major status or instructor approval. Corequisite: Departmental Recital and appropriate major ensemble; Departmental Recital must be taken at the same level as lessons.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1230. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument. Prerequisite: Music major status or instructor approval. Corequisite: Departmental Recital and appropriate major ensemble; Departmental Recital must be taken at the same level as lessons.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1240. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, Somos Musicos concerts, various competitions, final juries, and outreach or recruiting visits. Students enroll in an appropriate major ensemble as well as Departmental Recital at the same level as lessons. Prerequisite: Music major status or permission from instructor. Corequisite: Departmental Recital and appropriate major ensemble; Departmental Recital must be taken at the same level as lessons.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1250. Applied Brass.

This course is designed for students seeking to advance their musical training on a brass instrument. Instruction emphasizes the systematic study of brass performance and pedagogy through structured warm up routines, method and étude books, solo and ensemble literature, and guided listening assignments. Students develop technical proficiency, stylistic awareness, and analytical listening skills through individualized instruction and performance based assessment. The course supports the progressive refinement of performance skills and introduces pedagogical concepts relevant to brass instruction within collegiate and professional music contexts. Students enroll in an appropriate major ensemble as well as Departmental Recital at the same level as lessons. Prerequisite: Music major status or permission from instructor. Corequisite: Departmental Recital and appropriate major ensemble; Departmental Recital must be taken at the same level as lessons.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1260. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including bow control, intonation accuracy, shifting facility, vibrato development (as appropriate), tone production, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit. Prerequisite: Music major status or instructor approval. Corequisite: Departmental Recital and appropriate major ensemble; Departmental Recital must be taken at the same level as lessons.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1270. Applied Percussion.

This course provides advanced, individualized instruction in percussion performance through supervised private study. Instruction emphasizes refined technical coordination across multiple western percussion instruments, as appropriate to the student’s primary focus. Students engage with representative repertoire suitable for undergraduate-level study while cultivating interpretive depth, rhythmic precision, tonal control, and stylistic awareness. Through focused work on technique, repertoire analysis, and performance practice, students develop artistic maturity, versatility, and professional standards of preparation. May be repeated for credit and requires music major status. Prerequisite: Music major status or permission from instructor. Corequisite: Departmental Recital and appropriate major ensemble; Departmental Recital must be taken at the same level as lessons.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1280. Applied Composition.

This course is advanced individual instruction in the craft of musical composition in the form of weekly private lessons. Students work on original projects of their own choosing or as assigned by the instructor. While developing these projects, students receive guidance in a variety of forms, including listening assignments, score study, musical analyses, etude assignments, development of notation techniques, and strategies for thinking critically about aesthetic choices. In addition to the weekly private lessons, students attend a weekly Composers Forum, which includes discussions on various topics, presentations from guest artists, and other relevant activities. Prerequisite: Acceptance into the music minor.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 1325. Class Piano for Non-Music Majors.

This course offers an introduction to the piano for students new to keyboard study. Through regular practice, structured exercises, and interactive classwork, students develop basic technique and musicianship skills. Instruction includes reading musical notation, recognizing fundamental theoretical concepts, and applying aural skills techniques to listening examples. Repertoire selections span classical, jazz, blues, and popular genres, giving students opportunities to compare stylistic features while developing practical fluency. The course supports beginners seeking a skill-based and academically informed approach to understanding and performing music.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2120. Applied Voice.

This course provides individualized instruction in vocal technique, musicality, repertoire, and performance through supervised private coaching. Emphasis centers on healthy vocal production, expressive interpretation, stylistic understanding, and performance readiness. Students engage in guided practice, apply techniques to repertoire, and receive feedback to refine tone, phrasing, and musical expression. Enrollment requires BA in Music status and concurrent enrollment in appropriate major ensemble. For BA in Music majors, this course is typically paired with MUSP 1120 (first/second semester) or MUSP 3120 (third/fourth semester) to form a combined 50-minute applied lesson, supporting sustained technical and interpretive development.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2125. Applied Voice for non-majors.

This course provides individualized instruction in vocal technique, musicality, repertoire, and performance through supervised private study. Students concentrate on building healthy and efficient vocal production while developing expressive interpretation and a foundational understanding of appropriate musical styles. Instruction emphasizes structured and guided practice, thoughtful application of technical concepts to selected repertoire, and regular instructor feedback. Through this process, students refine tone quality, breath management, phrasing, diction, and overall musical expression in preparation for confident and effective performance. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2130. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2135. Applied Keyboard for non-majors.

This course provides supervised individual keyboard instruction for non music majors, emphasizing technical development, musical expression, and familiarity with standard repertoire. Students receive weekly applied lessons designed to build foundational performance skills on a variety of percussion instruments. Instruction focuses on tone production, rhythmic accuracy, interpretive decision making, and preparation of assigned literature for performance assessments. The course supports students in developing effective practice habits and understanding stylistic conventions across percussion genres. May be repeated for credit. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2140. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, Somos Musicos concerts, various competitions, final juries, and outreach or recruiting visits.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2145. Applied Woodwind for non-majors.

This course provides supervised individual woodwind instruction for non-music majors, emphasizing technical development, musical expression, and familiarity with standard repertoire. Students receive weekly applied lessons designed to build foundational performance skills on a variety of woodwind instruments. Instruction focuses on tone production, rhythmic accuracy, interpretive decision making, and preparation of assigned literature for performance assessments. The course supports students in developing effective practice habits and understanding stylistic conventions across woodwind genres. May be repeated for credit. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2150. Applied Brass.

This course is designed for students seeking to advance their musical training on a brass instrument. Students engage in a comprehensive study of brass performance and pedagogy through structured warm‑up routines, method and étude books, solo and ensemble literature, and guided listening assignments. Students engage in thorough preparation towards completion of the Upper-Level Performance Examination administered in the fourth semester of study. Through immersive instruction, students strengthen foundational performance and teaching skills while developing critical and analytical listening abilities essential to success in the performance arts.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2155. Applied Brass for non-majors.

This course provides supervised individual brass instruction for non-music majors, with an emphasis on technical development, musical expression, and familiarity with standard brass repertoire. Students participate in weekly applied lessons designed to build foundational performance skills through guided, individualized instruction. Course content focuses on essential performance elements such as tone production, rhythmic accuracy, intonation, articulation, and interpretive decision making. Students prepare assigned technical studies and musical literature for periodic performance assessments, reinforcing effective practice strategies. Instruction further supports the development of disciplined practice habits and an understanding of stylistic conventions across a range of common brass performance genres. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2160. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including bow control, intonation accuracy, shifting facility, vibrato development (as appropriate), tone production, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit and requires music major status. Prerequisite: Music major status or consent of instructor.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2165. Applied String for non-majors.

This course provides supervised individual string instruction for non-music majors, emphasizing technical development, musical expression, and familiarity with standard repertoire. Students receive weekly applied lessons designed to build foundational technical and performance skills on the student’s primary string instrument. Instruction focuses on tone production, rhythmic accuracy, interpretive decision-making, and preparation of assigned literature for performance assessments. The course supports students in developing effective practice habits and understanding stylistic considerations across major historical periods and genres. May be repeated for credit. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2170. Applied Percussion.

This course provides individualized instruction in percussion through supervised private coaching designed to develop technical fluency, musicianship, and stylistic awareness. Students study repertoire across multiple percussion media and engage in focused work on tone production, rhythmic control, dynamic range, instrument setup, and performance communication. Instruction includes guided preparation for upper-level juries and other evaluative performance settings. Students receive feedback on practice strategies, instrument-specific techniques, and artistic decision-making as they build skills appropriate to their level of study. May be repeated for credit.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2175. Applied Percussion for non-majors.

This course provides supervised individual percussion instruction for non-music majors, emphasizing technical development, musical expression, and familiarity with standard repertoire. Students receive weekly applied lessons designed to build foundational performance skills on a variety of percussion instruments. Instruction focuses on tone production, rhythmic accuracy, interpretive decision making, and preparation of assigned literature for performance assessments. The course supports students in developing effective practice habits and understanding stylistic conventions across percussion genres. May be repeated for credit. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2180. Applied Composition.

This course is advanced individual instruction in the craft of musical composition in the form of weekly private lessons. Students work on original projects of their own choosing or as assigned by the instructor. While developing these projects, students receive guidance in a variety of forms, including listening assignments, score study, musical analyses, etude assignments, development of notation techniques, and strategies for thinking critically about aesthetic choices. Students present their work in public performance, at area recitals or other venues. In addition to the weekly private lessons, students attend a weekly Composers Forum, which includes discussions on various topics, presentations from guest artists, and other relevant activities. Prerequisite: Music major status or instructor approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2185. Applied Composition for non-majors.

This course is advanced individual instruction in the craft of musical composition in the form of weekly private lessons for the non-major. Students work on original projects of their own choosing or as assigned by the instructor. While developing these projects, students receive guidance in a variety of forms, including listening assignments, score study, musical analyses, etude assignments, development of notation techniques, and strategies for thinking critically about aesthetic choices. Students present their work in public performance, at area recitals or other venues. In addition to the weekly private lessons, students attend a weekly Composers Forum, which includes discussions on various topics, presentations from guest artists, and other relevant activities. Permission of instructor required. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2191. Electronic Music I.

This course introduces tools and techniques used in desktop music production. Students create modest musical performances using virtual instruments. In conjunction with that endeavor, students examine sound synthesis, MIDI, and computer based composition through hands on work with digital audio workstations. The course focuses on developing foundational technical skills applicable to a variety of music production contexts while allowing students to build early examples of creative work, operate a DAW using basic features commonly found in music production, and edit a previously recorded musical performance using a DAW. Full major status in SRT is required.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2192. Electronic Music II.

This course examines tools and techniques used in desktop music production, emphasizing sound synthesis, MIDI, and computer‑based composition. Students explore workflows used across professional audio contexts and practice applying these methods to develop original creative work. The course emphasizes technical proficiency, organization, and effective use of digital audio workstation functions relevant to a variety of production environments. Activities center on understanding the capabilities of virtual instruments, signal control, and the practical preparation of production materials such as stems. Full major status in SRT is required. Prerequisite: MUSP 2191 with a grade of a "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2220. Applied Voice.

This course examines continued development of vocal technique, musicality, repertoire, and performance skills through individualized private instruction. Students explore intermediate stylistic, technical, and interpretive aspects of vocal literature appropriate to their progression, engaging in guided practice, coaching, and instructor feedback. Instruction emphasizes analytical listening, refinement of performance choices, and preparation for upper-level applied study. Students develop the ability to evaluate vocal production, interpret repertoire accurately, and demonstrate informed musicianship in both solo and ensemble contexts. Prerequisite: MUSP 1220 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2225. Applied Voice for non-majors.

This course provides individualized instruction in vocal technique, musicality, repertoire, and performance through supervised private study. Students concentrate on building healthy and efficient vocal production while developing expressive interpretation and a foundational understanding of appropriate musical styles. Instruction emphasizes structured and guided practice, thoughtful application of technical concepts to selected repertoire, and regular instructor feedback. Through this process, students refine tone quality, breath management, phrasing, diction, and overall musical expression in preparation for confident and effective performance. Prerequisite: Department Approval.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2230. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances and the upper-level jury, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument. Prerequisite: MUSP 1230 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2235. Applied Keyboard for non-majors.

This course provides supervised individual keyboard instruction for non music majors, emphasizing technical development, musical expression, and familiarity with standard repertoire. Students receive weekly applied lessons designed to build foundational performance skills on a variety of percussion instruments. Instruction focuses on tone production, rhythmic accuracy, interpretive decision making, and preparation of assigned literature for performance assessments. The course supports students in developing effective practice habits and understanding stylistic conventions across percussion genres. May be repeated for credit. Prerequisite: Department approval.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2240. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, Somos Musicos concerts, various competitions, final juries, and outreach or recruiting visits. Students enroll in an appropriate major ensemble as well as Departmental Recital at the same level as lessons. Prerequisite: MUSP 1240 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2245. Applied Woodwind for non-majors.

This course provides supervised individual woodwind instruction for non-music majors, emphasizing technical development, musical expression, and familiarity with standard repertoire. Students receive weekly applied lessons designed to build foundational performance skills on a variety of woodwind instruments. Instruction focuses on tone production, rhythmic accuracy, interpretive decision making, and preparation of assigned literature for performance assessments. The course supports students in developing effective practice habits and understanding stylistic conventions across woodwind genres. May be repeated for credit. Prerequisite: Department approval.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2250. Applied Brass.

This course is designed for students seeking to advance their musical training on a brass instrument. Students engage in a comprehensive study of brass performance and pedagogy through structured warm‑up routines, method and étude books, solo and ensemble literature, and guided listening assignments. Students engage in thorough preparation towards completion of the Upper-Level Performance Examination administered in the fourth semester of study. Through immersive instruction, students strengthen foundational performance and teaching skills while developing critical and analytical listening abilities essential to success in the performance arts. Prerequisite: MUSP 1250 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2255. Applied Brass for non-majors.

This course provides supervised individual brass instruction for non-music majors, with an emphasis on technical development, musical expression, and familiarity with standard brass repertoire. Students participate in weekly applied lessons designed to build foundational performance skills through guided, individualized instruction. Course content focuses on essential performance elements such as tone production, rhythmic accuracy, intonation, articulation, and interpretive decision making. Students prepare assigned technical studies and musical literature for periodic performance assessments, reinforcing effective practice strategies. Instruction further supports the development of disciplined practice habits and an understanding of stylistic conventions across a range of common brass performance genres. Prerequisite: Department approval.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2260. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including tone production, bow control, intonation accuracy, shifting facility, vibrato development, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit. Prerequisite: MUSP 1260 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2265. Applied String for non-majors.

This course provides supervised individual string instruction for non-music majors, emphasizing technical development, musical expression, and familiarity with standard repertoire. Students receive weekly applied lessons designed to build foundational technical and performance skills on the student’s primary string instrument. Instruction focuses on tone production, rhythmic accuracy, interpretive decision-making, and preparation of assigned literature for performance assessments. The course supports students in developing effective practice habits and understanding stylistic considerations across major historical periods and genres. May be repeated for credit. Prerequisite: Department approval.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2270. Applied Percussion.

This course provides individualized instruction in percussion through supervised private coaching designed to develop technical fluency, musicianship, and stylistic awareness. Students study repertoire across multiple percussion media and engage in focused work on tone production, rhythmic control, dynamic range, instrument setup, and performance communication. Instruction includes guided preparation for upper-level juries and other evaluative performance settings. Students receive feedback on practice strategies, instrument specific techniques, and artistic decision making as they build skills appropriate to their level of study. May be repeated for credit. Prerequisite: MUSP 1270 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2280. Applied Composition.

This course is advanced individual instruction in the craft of musical composition in the form of weekly private lessons. Students work on original projects of their own choosing or as assigned by the instructor. While developing these projects, students receive guidance in a variety of forms, including listening assignments, score study, musical analyses, etude assignments, development of notation techniques, and strategies for thinking critically about aesthetic choices. Students present their work in public performance, at area recitals or other venues. In addition to the weekly private lessons, students attend a weekly Composers Forum, which includes discussions on various topics, presentations from guest artists, and other relevant activities. Prerequisite: MUSP 1280 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 2285. Applied Composition for non-majors.

This course provides advanced individual instruction in musical composition through weekly private lessons for non majors. Students develop original compositions through instructor guided projects that emphasize technical skills, notation practices, and analytical approaches to compositional decision making. Instruction includes listening assignments, score study, musical analysis, and applied exercises. Students present completed works in public performances such as area recitals or comparable venues. In addition to private lessons, students participate in a weekly Composers Forum featuring discussions, guest presentations, and related activities. Prerequisite: Instructor approval.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3120. Applied Voice.

This course provides individualized instruction in vocal technique, musicality, repertoire, and performance through supervised private coaching. Emphasis centers on healthy vocal production, expressive interpretation, stylistic understanding, and overall performance readiness. Students engage in guided practice, apply technical principles to assigned repertoire, and receive feedback to refine tone, phrasing, and musical expression. For BA in Music majors, this course is typically paired with MUSP 2120 to form a combined 50-minute applied lesson, supporting sustained technical and interpretive development. Prerequisite: Music major status or permission from instructor.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3130. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument. Before moving on the MUSP 4230, the student must successfully pass MU 3050 (Junior Recital). Prerequisite: Music major status or instructor approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3131. Jazz Piano Techniques I.

This course introduces foundational techniques in jazz piano performance, including stylistic interpretation, harmonic vocabulary, rhythmic articulation, and ensemble collaboration. Students examine core jazz repertoire, develop improvisational fluency, and apply chord-scale relationships in performance contexts. Emphasis is placed on voicing strategies, comping patterns, transcription, and small ensemble interaction. Through applied study, guided analysis of historical recordings, structured performance practice, and supervised ensemble application, students refine technical facility, strengthen listening skills, and cultivate informed musical decision-making within standard jazz idioms and contemporary performance settings. Prerequisite: MUSP 1136 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MUSP 3132. Jazz Piano Techniques II.

This course advances technical, harmonic, and improvisational skills in jazz piano performance. Students examine extended harmonic structures, advanced voicing systems, modal and post-bop language, and stylistic interpretation across historical and contemporary jazz contexts. Emphasis is placed on independent arrangement, transcription analysis, ensemble leadership, expanded rhythmic vocabulary, and stylistic nuance. Through applied study, critical listening, and performance-based projects, students refine artistic identity, strengthen interpretive independence, and demonstrate increased fluency and confidence in professional and collegiate performance settings. Prerequisites: MUSP 3131 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MUSP 3140. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, Somos Musicos concerts, various competitions, final juries, and outreach or recruiting visits. Prerequisite: Music major status or permission from instructor.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3145. Woodwind Techniques I.

Basic teaching and performance techniques of the clarinet and saxophone. Requires successful completion of the Upper Level Competency Review in Music Studies or permission from the instructor to enroll.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3147. Woodwind Techniques II.

Basic teaching and performance techniques of the flute and double reeds. Requires successful completion of the Upper Level Competency Review in Music Studies or permission from the instructor to enroll.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3150. Applied Brass.

This course provides advanced applied instruction for students pursuing musical training on a brass instrument. Students engage in a comprehensive study of brass performance and pedagogy using structured warmup techniques, method books, étude books, solo literature, ensemble studies, and selected listening assignments. Performance majors complete a Junior Recital in the sixth semester of applied brass; this requirement is optional for other music majors. Through individualized instruction, students strengthen foundational performance and teaching skills while developing critical and analytical listening abilities essential to success in the performance arts. Prerequisite: Music major status or permission from instructor.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3155. Brass Techniques I.

Basic teaching and performance techniques of the high brass instruments. Requires successful completion of the Upper Level Competency Review in Music Studies or permission from the instructor to enroll.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Perspective
Grade Mode: Standard Letter

MUSP 3157. Brass Techniques II.

Continuation of the basic teaching and performance techniques of the low brass instruments. Requires successful completion of the Upper Level Competency Review in Music Studies or permission from the instructor to enroll.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Perspective
Grade Mode: Standard Letter

MUSP 3160. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including tone production, bow control, intonation accuracy, shifting facility, vibrato development, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit. Prerequisite: Music major status or instructor approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3165. String Techniques.

This course reviews beginning-level techniques and introduces intermediate approaches to string teaching and performance. Students explore violin, viola, cello, and double bass through pedagogical strategies and hands-on experiences, including performance on primary and/or secondary instruments and teaching practice. Course content emphasizes instructional sequencing, evaluative techniques, and resource selection for heterogeneous and homogeneous settings. By the end of the course, students develop competencies in planning and assessing string instruction, modeling fundamental performance skills, and creating structured, effective learning experiences for beginning and intermediate string students.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3166. String Techniques Practicum.

This course focuses on applying string pedagogy through hands-on teaching experiences with peers and/or volunteer students. Students develop skills in recognizing proper technique, posture, and tone production for violin, viola, cello, and bass. Course content emphasizes creating and executing well-sequenced lesson plans, applying pedagogical principles in both practice and instructional settings, and evaluating student progress using common repertoire and resources. By the end of the course, students demonstrate competencies in assessing performance, delivering effective feedback, and structuring successful learning experiences for beginning string players. Corequisite: MUSP 3165 with a grade of "C" or better.

1 Credit Hour. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3170. Applied Percussion.

This course provides advanced, individualized instruction in percussion performance through supervised private study. Instruction emphasizes refined technical coordination across multiple western percussion instruments, as appropriate to the student’s primary focus. Students engage with representative repertoire suitable for undergraduate-level study while cultivating interpretive depth, rhythmic precision, tonal control, and stylistic awareness. Through focused work on technique, repertoire analysis, and performance practice, students develop artistic maturity, versatility, and professional standards of preparation. For performance majors, work is focused towards the junior recital. May be repeated for credit and requires music major status or consent of instructor.  Prerequisite: MUSP 2170 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3175. Percussion Techniques.

Basic teaching and performance techniques of marching and concert percussion. Full major in Music Studies required.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3180. Applied Composition.

Through supervised private coaching, instruction focuses on technique, musicality, literature, and performance in the composition area. May be repeated for credit.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3191. Electronic Music III.

This course examines tools and techniques used in desktop-based music production with an emphasis on practical application in professional audio environments. Students explore sound synthesis, MIDI workflows, dialog editing, and computer‑based composition while developing a structured approach to creative and technical decision‑making. Instruction focuses on understanding multiple digital audio workstations, synchronization methods, and production practices relevant to contemporary music and media industries. Students engage in project‑based work that supports skill development and portfolio growth. Full major status in SRT is required. Prerequisite: MUSP 2192 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3192. Electronic Music IV.

This course examines digital tools and techniques used in desktop music production, with emphasis on sound synthesis, MIDI applications, and computer‑based composition. Students explore industry‑standard workflows, analyze technical approaches to audio design, and apply production methods used in contemporary sound creation environments. Through guided projects, students develop competency with software instruments, editing platforms, and audio organization strategies relevant to professional settings. The course supports skill development for students preparing for advanced work in recording, producing, or related audio fields. Prerequisites: MUSP 3191 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3195. Instrumental Techniques for Choral Students.

This course introduces vocal students to fundamental teaching and performance techniques for band and orchestral instruments. Students explore wind, string, and percussion instruments, focusing on sound production, notation conventions, articulation, and ensemble rehearsal strategies. Through observation, practice, and peer instruction, the course emphasizes pedagogically sound lesson design, logical sequencing, and embedded assessment. By the end of the course, students develop competencies in teaching beginning instrumental techniques, applying effective rehearsal methods for large ensembles, and understanding the structure and function of instrumental music programs.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3196. Jazz and Latin Ensemble Techniques.

This course explores the basic teaching and performance techniques of instrumentation, arranging and pedagogy in the areas of jazz and latin music ensembles. Attention is paid to individual instrument equipment and techniques, as well as ensemble rehearsal techniques, small and large group literature, and available resources. Students explore the role of jazz and latin music in the larger school fine arts curriculum and how it complements the existing programs. Full major in Music Studies, instrumental concentrations. (MULT).

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Lab Required|Multicultural Content
Grade Mode: Standard Letter

MUSP 3197. Choral/Vocal Techniques.

This course provides instrumental music education students with foundational skills and knowledge for effective vocal instruction in choral settings. Students explore fundamental vocal pedagogy, healthy singing techniques, and age-appropriate repertoire selection while developing their own singing abilities through ensemble participation. Emphasis is placed on understanding adolescent vocal development, score reading, and translating instrumental teaching skills to the choral classroom. Through active singing and peer teaching, students gain practical competencies in assessing vocal performance, designing developmentally appropriate learning experiences, and delivering effective choral instruction. The course prepares future educators to teach and rehearse choral ensembles across K–12 educational settings.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Lab Required
Grade Mode: Standard Letter

MUSP 3220. Applied Voice.

This course examines advanced vocal technique, musicality, repertoire, and performance skills through focused private instruction. Students explore complex stylistic, technical, and interpretive aspects of vocal literature appropriate to their level, engaging in guided practice, individualized coaching, and instructor feedback. Instruction emphasizes analytical listening, stylistic interpretation, and critical refinement of performance in preparation for the junior recital as appropriate to degree requirements. Students develop the ability to evaluate vocal production, interpret repertoire accurately, and demonstrate informed musicianship in both solo and ensemble performances. Prerequisite: MUSP 2220 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3230. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument. Before moving on the MUSP 4230, the student must successfully pass MU 3050 (Junior Recital). Prerequisite: MUSP 2230 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3240. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, Somos Musicos concerts, various competitions, final juries, and outreach or recruiting visits. Prerequisite: MUSP 2240 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3241. Woodwind Techniques - Single Reeds.

This course provides students with foundational skills and knowledge for successful performance and instruction on single reed instruments. Students learn fundamental techniques for clarinet and saxophone, including instrument assembly, embouchure, posture, articulation, tone production, potential performance/teaching challenges, and basic arranging. The course emphasizes pedagogical strategies for beginning instruction, peer teaching, and lesson planning. By the end of the course, participants develop competencies in assessing student performance, structuring effective learning experiences, and delivering clear, responsive instruction.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3247. Woodwind Techniques - Flute and Double Reeds.

This course provides students with foundational skills and knowledge for successful performance and instruction on flute and double-red instruments. Students learn fundamental techniques for flute, oboe, and bassoon, including instrument assembly, embouchure, posture, articulation, tone production, potential performance/teaching challenges, and basic arranging. Course content includes initial performance skills, pedagogical strategies for beginning instruction, and peer teaching. By the end of the course, participants develop competencies in assessing student performance, structuring effective learning experiences, and delivering clear, responsive instruction.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3250. Applied Brass.

This course provides advanced applied instruction for students pursuing musical training on a brass instrument. Students engage in a comprehensive study of brass performance and pedagogy using structured warmup techniques, method books, étude books, solo literature, ensemble studies, and selected listening assignments. Performance majors complete a Junior Recital in the sixth semester of applied brass; this requirement is optional for other music majors. Through individualized instruction, students strengthen foundational performance and teaching skills while developing critical and analytical listening abilities essential to success in the performance arts. Prerequisite: MUSP 2250 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3251. Brass Techniques - High Brass.

This course provides students with foundational skills and knowledge for successful performance and instruction on high brass instruments. Students learn fundamental techniques for trumpet and horn, including instrument assembly, embouchure, posture, articulation, tone production, potential performance/teaching challenges, and basic arranging. The course emphasizes pedagogical strategies for beginning instruction, peer teaching, and lesson planning. By the end of the course, participants develop competencies in assessing student performance, structuring effective learning experiences, and delivering clear, responsive instruction.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3257. Brass Techniques - Low Brass.

This course provides students with foundational skills and knowledge for successful performance and instruction on low brass instruments. Students learn fundamental techniques for trombone, euphonium/baritone, and tuba, including instrument assembly, embouchure, posture, articulation, tone production, potential performance/teaching challenges, and basic arranging. The course emphasizes pedagogical strategies for beginning instruction, peer teaching, and lesson planning. By the end of the course, participants develop competencies in assessing student performance, structuring effective learning experiences, and delivering clear, responsive instruction.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3260. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including tone production, bow control, intonation accuracy, shifting facility, vibrato development, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit. Prerequisite: MUSP 2260 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3261. Mariachi Trumpet Techniques.

This course provides instruction on fundamental teaching pedagogy, specifically preparing music education majors with practical and transferable teaching skills for trumpet instruction within the mariachi ensemble setting. Students examine strategies for teaching posture, tone production, intonation, embouchure formation, breathing techniques, technical sequencing, section balance, and stylistic authenticity. Through lesson planning, peer-teaching demonstrations, repertoire analysis, and field-based applications, future educators develop the tools necessary to confidently instruct students at the secondary level while preserving the integrity and traditions of mariachi performance practice.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3262. Mariachi Violin Techniques.

This course provides instruction on fundamental teaching pedagogy, specifically preparing music education majors with practical and transferable teaching skills for violin instruction within the mariachi ensemble setting. Students examine strategies for teaching posture, instrument set up, bow hold, tone production, intonation, left-hand position, shifting, vibrato, phrasing and stylistic authenticity. Through lesson planning, peer-teaching demonstrations, repertoire analysis, and field-based applications, future educators develop the tools necessary to confidently instruct students at the secondary level while preserving the integrity and traditions of mariachi performance practice.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3263. Mariachi Vihuela Techniques.

This course provides instruction on fundamental teaching pedagogy, specifically preparing music education majors with practical and transferable teaching skills for vihuela instruction within the mariachi ensemble setting. Students examine strategies for teaching posture, instrument position, right-hand strumming mechanics, left-hand chord formation, tone production, rhythmic accuracy, and stylistic authenticity. Through lesson planning, peer-teaching demonstrations, repertoire analysis, and field-based applications, future educators develop the tools necessary to confidently instruct students at the secondary level while preserving the integrity and traditions of mariachi performance practice.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3264. Mariachi Guitarrón Techniques.

This course provides instruction on the fundamental teaching pedagogy, specifically preparing music education majors with practical and transferable teaching skills for guitarron instruction within the mariachi ensemble setting. Students examine strategies for teaching posture, instrument position, hand positioning, tone production, rhythmic accuracy, and stylistic authenticity. Through lesson planning, peer-teaching demonstrations, repertoire analysis, and field-based applications, future educators develop the tools necessary to confidently instruct students at the secondary level while preserving the integrity and traditions of mariachi performance practice.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3265. String Techniques II.

This course reviews beginning-level techniques and introduces intermediate and advanced strategies for teaching and performing on string instruments. Students explore violin, viola, cello, and bass through historical perspectives, pedagogical approaches, and practical experiences, including performance on primary and secondary instruments and teaching activities. Course content emphasizes lesson planning, sequential instructional design, and assessment methods aligned with National Core Arts Standards and TEKS. Students develop competencies in creating comprehensive curricula, applying effective rehearsal techniques, evaluating student achievement, and understanding the structure of school orchestra programs. Prerequisite: MUSP 3165 with a grade of "C" or better.

2 Credit Hours. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3266. Mariachi Voice Techniques.

This course provides instruction on the fundamental teaching pedagogy, specifically preparing music education majors with practical and transferable teaching skills for voice instruction within the mariachi ensemble setting. Students examine strategies for teaching proper body alignment, breath management, tone production, pitch accuracy, diction, vowel placement, vowel shapes, vocal development, and stylistic authenticity. Through lesson planning, peer-teaching demonstrations, repertoire analysis, and field-based applications, future educators develop the tools necessary to confidently instruct students at the secondary level while preserving the integrity and traditions of mariachi performance practice.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3270. Applied Percussion.

This course provides advanced, individualized instruction in percussion performance through supervised private study. Instruction emphasizes refined technical coordination across multiple western percussion instruments, as appropriate to the student’s primary focus. Students engage with representative repertoire suitable for undergraduate-level study while cultivating interpretive depth, rhythmic precision, tonal control, and stylistic awareness. Through focused work on technique, repertoire analysis, and performance practice, students develop artistic maturity, versatility, and professional standards of preparation. For performance majors, work is focused towards the junior recital. May be repeated for credit. Prerequisite: MUSP 2270 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3275. Percussion Techniques.

This course introduces foundational performance and pedagogical techniques for Western percussion instruments. Students will study fundamental performance techniques for snare drum, mallet percussion, timpani, and accessory or auxiliary instruments, with optional exposure to drum set, marching percussion, or Latin percussion. Instruction emphasizes relationships among tone production, rehearsal approaches, and instructional materials for beginning learners. Through guided practice and analytical activities, students connect developing performance skills to planning and delivering entry level percussion instruction across varied instructional settings.

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3280. Applied Composition.

This course is advanced individual instruction in the craft of musical composition in the form of weekly private lessons. Students work on original projects of their own choosing or as assigned by the instructor. While developing these projects, students receive guidance in a variety of forms, including listening assignments, score study, musical analyses, etude assignments, development of notation techniques, and strategies for thinking critically about aesthetic choices. Students present their work in public performance, at their degree-required recital. In addition to the weekly private lessons, students attend a weekly Composers Forum, which includes discussions on various topics, presentations from guest artists, and other relevant activities. Prerequisite: MUSP 2280 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3355. Wind Instrumental Techniques for String Students.

This course introduces students to foundational teaching and performance techniques for the major wind instruments, emphasizing skills needed to instruct full orchestra settings. Students engage in observation, practice, and occasional peer teaching to develop a basic understanding of wind instruments. Course content includes articulation processes, intonation, transposition, and tone evaluation. By the end of the course, students demonstrate competencies in creating structured learning experiences, assessing performance, and providing corrective feedback through clear, effective instruction. Prerequisite: MUSP 3165 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 3365. String Techniques II.

This course reviews beginning-level techniques and introduces intermediate and advanced strategies for teaching and performing on string instruments. Students explore violin, viola, cello, and bass through historical perspectives, pedagogical approaches, and practical experiences, including performance on primary and secondary instruments and teaching activities. Course content emphasizes lesson planning, sequential instructional design, and assessment methods aligned with National Core Arts Standards and TEKS. Students develop competencies in creating comprehensive curricula, applying effective rehearsal techniques, evaluating student achievement, and understanding the structure of school orchestra programs. Prerequisite: MUSP 3165 with a grade of "C" or better.

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4120. Applied Voice.

This course provides supplemental, individualized instruction in vocal technique, musical interpretation, repertoire, and performance practice through a weekly 30-minute private lesson for senior-level music majors. Designed specifically for Music Studies or Vocal Performance majors who require extended applied study, the course emphasizes advanced technical refinement, stylistic accuracy, and expressive musicianship. Students engage in intensive, focused repertoire study drawn from diverse vocal literature, apply advanced vocal strategies to improve consistency and efficiency, and receive individualized feedback tailored to their artistic goals. Through this process, students strengthen artistic maturity, performance readiness, and advanced preparation for recitals or other culminating performances. Prerequisite: Department approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4130. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument. Before moving on the MUSP 4230, the student must successfully pass MU 3050 (Junior Recital). Corequisite: MUSP 4230 with a "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4140. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, Somos Musicos concerts, various competitions, final juries, and outreach or recruiting visits. Prerequisite: MUSP 3140 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4160. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including bow control, intonation accuracy, shifting facility, vibrato development (as appropriate), tone production, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit. Prerequisite: Music major status or instructor approval. Corequisite: MUSP 4260 with a grade of "C" or better.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4164. Mariachi Melodia Techniques (Trumpet, Violin, Voice).

This course provides instruction on fundamental teaching pedagogy, specifically preparing music education majors with practical and transferable teaching skills for violin, trumpet and voice instruction within the mariachi ensemble setting. Students examine strategies for teaching posture, right and left hand technique, tone production, intonation, embouchure formation, breathing techniques, technical sequencing, section/chorus balance, and stylistic authenticity. Through lesson planning, peer-teaching demonstrations, repertoire analysis, and field-based applications, future educators develop the tools necessary to confidently instruct students at the secondary level while preserving the integrity and traditions of mariachi performance practice.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MUSP 4165. Mariachi Armonia Techniques.

This course provides instruction on the fundamental teaching pedagogy, specifically preparing music education majors with practical and transferable teaching skills for guitarron and vihuela instruction within the mariachi ensemble setting. Students examine strategies for teaching posture, instrument position, hand positioning, tone production, rhythmic accuracy, and stylistic authenticity. Through lesson planning, peer-teaching demonstrations, repertoire analysis, and field-based applications, future educators develop the tools necessary to confidently instruct students at the secondary level while preserving the integrity and traditions of mariachi performance practice.

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Multicultural Content
Grade Mode: Standard Letter

MUSP 4170. Applied Percussion.

This course provides advanced, individualized instruction in percussion performance through supervised private study. Instruction emphasizes refined technical coordination across multiple western percussion instruments, as appropriate to the student’s primary focus. Students engage with representative repertoire suitable for undergraduate-level study while cultivating interpretive depth, rhythmic precision, tonal control, and stylistic awareness. Through focused work on technique, repertoire analysis, and performance practice, students develop artistic maturity, versatility, and professional standards of preparation. For all percussion majors, work is focused towards the senior recital. May be repeated for credit. Prerequisite: Music major status or instructor approval.

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4220. Applied Voice.

This course examines professional-level vocal technique, musicality, repertoire, and performance skills through intensive private instruction. Students explore sophisticated stylistic, technical, and interpretive aspects of vocal literature appropriate to advanced singers, engaging in guided practice, individualized coaching, and instructor feedback. Instruction emphasizes analytical listening, critical interpretation, and performance readiness for the senior recital. Students develop the ability to evaluate vocal production, interpret repertoire with stylistic and expressive accuracy, and demonstrate informed musicianship in solo recitals and major ensemble performances. Prerequisite: MUSP 3220 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4230. Applied Keyboard.

This course focuses on technique, musicality, literature, and performance in the piano area through supervised coaching in weekly private lessons and performances and group discussions through weekly seminars. All students majoring in music enroll in applied lessons to enhance their studies through developing technical and musical skills on their chosen instrument, by preparing them for performances, exploring pedagogical materials and methods related to their specific area, and by observing current trends with their chosen instrument. Before moving on the MUSP 4230, the student must successfully pass MU 3050 (Junior Recital). Prerequisite: MUSP 3230 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4240. Applied Woodwind.

This course focuses on developing technique, musicality, knowledge of repertoire, and confident performance in the woodwind area through supervised coaching in weekly private lessons. All students majoring in music enroll in applied music to enhance their studies through developing skills on their chosen instrument, by exploring pedagogical materials and methods related to their specific area, and preparing them for performances including studio recitals, SOMOS Musicos concerts, various competitions, final juries, and outreach or recruiting visits. Prerequisite: MUSP 3240 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4250. Applied Brass.

This course provides advanced applied instruction for students pursuing musical training on a brass instrument. Students engage in a comprehensive study of brass performance and pedagogy using structured warmup techniques, method books, étude books, solo literature, ensemble studies, and selected listening assignments. Performance majors plan and prepare a Senior Recital during the eighth semester of applied study, while non performance majors complete the Senior Recital during the seventh semester. Through individualized instruction and performance based assessment, students strengthen technical proficiency, musical expression, and analytical listening skills essential to collegiate level brass performance. Prerequisite: MUSP 3250 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4260. Applied String.

This course provides foundational, individualized instruction in string performance through supervised private study. Instruction emphasizes a stable technical foundation, including tone production, bow control, intonation accuracy, shifting facility, vibrato development, and stylistic interpretation appropriate to the assigned repertoire. Students engage with representative repertoire suitable for undergraduate-level study while cultivating essential musicianship, practice strategies, and performance skills. Through focused work on technique, repertoire preparation, and developing healthy playing habits, students build a solid basis for continued artistic and technical growth. May be repeated for credit. Prerequisite: MUSP 3260 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4270. Applied Percussion.

This course provides advanced, individualized instruction in percussion performance through supervised private study. Instruction emphasizes refined technical coordination across multiple western percussion instruments, as appropriate to the student’s primary focus. Students engage with representative repertoire suitable for undergraduate-level study while cultivating interpretive depth, rhythmic precision, tonal control, and stylistic awareness. Through focused work on technique, repertoire analysis, and performance practice, students develop artistic maturity, versatility, and professional standards of preparation. For all percussion majors, work is focused towards the senior recital. May be repeated for credit. Prerequisite: MUSP 3270 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

MUSP 4280. Applied Composition.

This course is advanced individual instruction in the craft of musical composition in the form of weekly private lessons. Students work on original projects of their own choosing or as assigned by the instructor. While developing these projects, students receive guidance in a variety of forms, including listening assignments, score study, musical analyses, etude assignments, development of notation techniques, and strategies for thinking critically about aesthetic choices. Students present their work in public performance, at their degree-required recital. In addition to the weekly private lessons, students attend a weekly Composers Forum, which includes discussions on various topics, presentations from guest artists, and other relevant activities. Prerequisite: MUSP 3280 with a grade of "C" or better.

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Aamot, Craig A, Assoc Professor of Instruction, Music, M.M., Texas State University

Arrington, Carter Thomas, Asst Professor of Instruction, Music, B.M., University of Texas at Austin

Asbell, Stephanie Ames, Professor, Music, D.M.A., University of Texas at Austin

Avants, Shelby Iyone, Lecturer, Music, M.M., Texas State University

Avenatti, Alyssa Marie, Lecturer, Music, M.M., Texas State University

Bartz, Ezra J, Professor of Instruction, Music, D.M.A., University of Texas at Austin

Beatty, Caroline C, Professor, Music, D.M.A., University of Michigan-Ann Arbor

Besch, Christopher Michael, Assistant Professor, Music, D.M.A., Rice University

Boyle, David Patrick, Asst Professor of Instruction, Music, B.A., Monash University

Boynt, Kirsten Janele, Lecturer, Music, M.M., Texas State University

Brackney, Laura Rose, Asst Professor of Instruction, Music, D.M.A., Arizona State University

Brecheen, Daveda Karanas, Associate Professor, Music, M.M., Arizona State University

Campos, Cirilo, Associate Professor of Practice, Music, M.Ed., Univ of Texas at San Antonio

Cannon, Robert V, Assoc Professor of Instruction, Music, D.M.A., University of Texas at Austin

Carrillo, Teofilo, Associate Professor, Music, B.M., Northern Illinois University

Casey-Clyde, Lauren Nicole, Lecturer, Music, D.M.A., University of Texas at Austin

Catchpole, David Alan, Lecturer, Music, M.M., Texas State University

Cruz, Karla Kristene, Lecturer, Music, B.M., Texas State University

Cruz, Mark A, Professor of Instruction, Music, M.M., Texas State University

Davidson, Ian B, Regents' Professor and University Distinguished Professor, Music, D.M.A., The University of Texas at Austin

DeBow, Faith, Professor of Instruction, Music, M.M., Eastman School of Music

Denis, John Michael, Associate Professor, Music, Ph.D., University of North Texas

Dennis, James Cameron, Lecturer, Music, D.M.A., Penn State University Park

Eaton, David Wayne, Lecturer, Music, ,

Elorreaga, Gilbert Anthony, Lecturer, Music, B.A., Texas State University

Erickson, Mark C, Associate Professor, Music, B.M., University of Miami

Frahm, Joel David, Assistant Professor, Music, B.M., Manhattan School of Music

Garza, Jose Manuel, Assoc Professor of Instruction, Music, Ph.D., Florida State University

Gayman, Billy Alan, Lecturer, Music, D.M.A., University of Texas at Austin

Gillam, Ryan Batchelor, Asst Professor of Instruction, Music, M.A., East Texas Baptist University

Glaser, Kyle Robert, Professor, Music, DM, Indiana University Bloomington

Gonzales, Cynthia, Regents' Teacher and Associate Professor, Music, Ph.D., Harvard University

Gonzalez, Genaro, Professor, Music, M.M., University of North Texas

Gonzalez, Rene Homero, Lecturer, Music, M.M., Texas State University

Grim, Cassandra Lou, Lecturer, Music, MME, VanderCook College of Music

Guzman, Miguel Soto, Assoc Professor of Instruction, Music, ,

Guzman, Joel Jose, Lecturer, Music, AA, University of Phoenix

Hale, Daris W, Professor of Instruction, Music, M.M., University of Texas at Austin

Hall, Richard D, Professor of Instruction, Music, M.M., Texas State University

Hamelin, Karla Michelle, Professor of Instruction, Music, D.M.A., University of Texas at Austin

Hamrick, Utah L, Assoc Professor of Instruction, Music, D.M.A., University of Texas at Austin

Harrison, Jacob Galloway, Associate Professor, Music, D.M.A., Arizona State University

Hehmsoth, Henry, Professor of Practice, Music, M.M., University of Texas at Austin

Henry, William R, Professor of Instruction, Music, M.M., Texas State University

Holzner, Matthew James, Assoc Professor of Instruction, Music, M.M., Indiana University Bloomington

Ippolito, Michael Lee, Professor, Music, D.M.A., The Juilliard School

Johnson, Craig Morris, Professor of Practice, Music, D.M.A., Yale University

Jones, Adah T, Professor, Music, D.A., Ball State University

Klier, Kari, Professor of Instruction, Music, M.M., University of Colorado Boulder

Kofod, Holly Michele, Lecturer, Music, BME, McMurry University

Kwak, Jason J, Regents' Professor and University Distinguished Professor, Music, D.M.A., University of Texas at Austin

Latin, Arthur, Asst Professor of Instruction, Music, ,

Laws, Kelly Sue, Assoc Professor of Instruction, Music, M.Ed., Texas State University

Leavitt, Michael Gerald, Asst Professor of Instruction, Music, D.M.A., University of Utah

Ledbetter, Lynn F, Professor, Music, D.M.A., University of Texas at Austin

Lee, Kyung-Ae, Lecturer, Music, D.M.A., University of Texas at Austin

Linschoten, Janet Christine, Assistant Professor, Music, D.M.A., University of North Texas

Lopez, Robert A, Professor of Instruction, Music, M.M., Texas State University

Martin, Joey, Associate Dean, College of Fine Arts and Communication and Professor, Music, D.M.A., University of Texas at Austin

Mazak, Andrew G, Professor of Instruction, Music, M.S.I.S., Texas State University

Mooney, Kevin E, Professor of Instruction, Music, Ph.D., University of Texas at Austin

Nagir, Nathan Peter, Lecturer, Music, D.M.A., University of Texas at Austin

Ninov, Dimitar N, Professor of Instruction, Music, Ph.D., University of Texas at Austin

O'Brien, Timothy Patrick, Lecturer, Music, Ph.D., University of Texas at Austin

Oxford, William, Professor, Music, D.M.A., University of Texas at Austin

Parrish, Cheryl Ann, Lecturer, Music, M.M., Texas State University

Pedroza, Ludim R, Associate Professor, Music, Ph.D., Texas Tech University

Pena, Abigail Sparling, Lecturer, Music, M.M., New York University

Pina, Kay Leslie, Asst Professor of Instruction, Music, M.M., Univ of Texas at San Antonio

Quintero, Michelle Alma, Lecturer, Music, M.M., Texas State University

Rabalais, Frances Louise, Lecturer, Music, AD, Univ of Cincinnati Main Campus

Ramo-Gechter, Suzanne Danielle, Associate Professor, Music, D.M.A., University of Texas at Austin

Rhodes, Jodie Ann, Lecturer, Music, M.Ed., Sam Houston State University

Rinn, Thomas James, Assistant Professor, Music, Ph.D., University of North Texas

Rives, Samuel Protich, Lecturer, Music, M.M., Texas State University

Rodriguez, Raul I, Professor, Music, M.M., University of North Texas

Roebuck, Lisa Weinheimer, Lecturer, Music, M.Ed., Lamar University

Rouse, Jonathan B, Lecturer, Music, M.M., The Juilliard School

Rowden, Amanda Leigh, Lecturer, Music, M.M., Texas State University

San Luis, Manuel Colet, Lecturer, Music, B.M., Texas State University

Sanchez, Paul Tuntland, Associate Professor, Music, D.M.A., University of Rochester

Sansolo, Corey Robert, Lecturer, Music, M.M., Univ of Maryland College Park

Scherer, Alec D, Assistant Professor, Music, Ph.D., University of Missouri-Columbia

Schuler, Nico, University Distinguished Professor, Music, Ph.D., Michigan State University

Sexton, Kelsey Nicole, Lecturer, Music, M.M., Texas State University

Soto, Amanda Christina, Associate Professor, Music, Ph.D., University of Washington

Sullivan, Todd Evan, School Director - Professor, Music, Ph.D., Northwestern University

Sullivan, Stuart David, Lecturer, Music, B.S., Indiana University System

Tangarov, Vanguel G, Associate Professor, Music, D.M.A., University of Texas at Austin

Tannert, Deborah Tower, Lecturer, Music, M.Ed., Lamar University

Trittin, Brian Lynn, Lecturer, Music, D.M.A., University of Arizona

Turgoose, Rachel Madeleine, Lecturer, Music, M.M., Texas State University

Ulen, Ronald C, Professor, Music, M.M., Florida State University

Valdez, Crystal, Lecturer, Music, M.Ed., Trinity University

Vassian, Myra Ann, Assoc Professor of Instruction, Music, M.A., Western Carolina University

Vogen, Renee Elise, Assistant Professor, Music, M.M., DePaul University

Wang, Ziyu, Asst Professor of Instruction, Music, D.M.A., Arizona State University

Wilds, Jackson Stuart, Assoc Professor of Instruction, Music, D.M.A., University of Texas at Austin

Wissler, Holly, Asst Professor of Instruction, Music, Ph.D., Florida State University

Zimmerman, Randall Edward, Lecturer, Music, M.M., University of Texas at Austin